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Camel Herd in Misty Landscape, 1990

Estimated price$2,961 – $5,499

Oil on Board

20 × 98 cm | 7.9 × 38.6 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A long procession of camels stretches across a wide horizontal canvas, their dark brown forms rendered with loose, gestural brushstrokes against a cool, misty grey-blue ground. The painting conveys a sense of movement and atmosphere, the figures merging into the hazy landscape with expressive energy.

Turki AbdulAmeer (Iraq).

Oil on Board, 98 × 20.5 cm, 1990.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
20 × 98 cm | 7.9 × 38.6 in
Year
1990
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Brown, Grey, Blue
Location
Amman, Jordan

About the artist

Turki AbdulAmeer — Oil on Canvas, 100 × 100 cm (representative image)
Turki AbdulAmeer

Iraq

Turki Abdul Ameer, born in 1941 in Maysan Governorate, Iraq, is a distinguished artist known for his contributions to the Iraqi art scene. He completed his primary and secondary education in Iraq before graduating with a diploma from the Institute of Fine Arts in Baghdad in 1962. Furthering his studies, he obtained a diploma from the Academy of Fine Arts in Rome between 1975 and 1979. Abdul Ameer is recognized as a prominent figure among the painters of the 1960s generation in Iraq.

Throughout his career, Abdul Ameer has participated in numerous exhibitions both within Iraq and internationally. His first group exhibition was in Kut, Iraq, in 1958. He has showcased his work in various countries, including Turkey, Germany, Saudi Arabia, Kuwait, Lebanon, Jordan, Italy, and the United Kingdom. Notably, he held his first solo exhibition at the National Museum of Modern Art in Baghdad in 1979. His works are part of several museum collections, including the Iraqi Museum. Additionally, he contributed to a mural at Baghdad International Airport.

In the art market, Abdul Ameer's works have been auctioned multiple times, with realized prices ranging from $576 to $10,357, depending on the size and medium of the artwork. Since 2011, his record price at auction is $10,357 for "Des Bédouins," sold at Millon & Associés in 2024.

Abdul Ameer dedicated 20 years to teaching painting at the Institute of Fine Arts in Baghdad and also taught design in Amman, Jordan. Since 1994, he has resided in the Netherlands, where he continues his artistic endeavors.

View all works by Turki AbdulAmeer

Oil

Pigment bound in oil, prized for its depth, luminosity, and slow drying that lets artists blend and build rich layers. The most enduring medium of modern painting, it remains central to the work of the region's leading modernists.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.