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Distorted Figures and Fragmented Windows

Estimated price$1,050 – $1,950

Mixed Media on Canvas

69 × 49 cm | 27.2 × 19.3 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

Duties & taxes are excluded from the price. International buyers are responsible for any customs fees on arrival. Full export documentation provided.

Works leaving Jordan require an export clearance certificate, arranged on your behalf.

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About the work

Heavily textured and deeply atmospheric, this work presents distorted human-like forms coiled and melting across a dark, layered ground, surrounded by fragmented window frames and scattered flashes of red and blue. The richly worked surface combines sculptural relief with painted passages, creating an unsettling and dreamlike scene of dissolution and transformation.

Saad Alansari (Iraq).

Mixed Media on Canvas, 49 × 69 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
69 × 49 cm | 27.2 × 19.3 in
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Green, Grey, Red
Location
Amman, Jordan

About the artist

Saad Alansari — Mixed media on canvas , 49 × 69 cm (representative image)
Saad Alansari

Iraq

Saad Ali, born in 1953 in Al-Diwaniyah, Iraq, is a distinguished artist known for his contributions to contemporary art. He began his artistic education under the tutelage of Jasim Farhan and later studied with Kazem Al-Suhail during his secondary education. In 1980, Ali pursued further studies at the Academy of Fine Arts in Perugia and Florence, Italy, where he was mentored by the artist Fero. During his time in Florence, he established a painting studio and collaborated with studios such as "Ben Lon" and "Wanigoni."

Ali's artistic journey led him to the Netherlands in 1985, where he founded the "Tei" group in Utrecht and maintained a studio there. His works have been showcased in various esteemed institutions, including the Museum of Modern Art in Baghdad in 1975, the Arab Cultural Center in Damascus, and the Italian Cultural Center in Milan. Notably, his pieces are part of collections at the Streek Museum in the Netherlands and the Olympia Museum in Moscow. Ali has also created significant murals, such as the depiction of Noah's Ark in The Hague, Netherlands.

Throughout his career, Ali has been affiliated with several art organizations, including the Dutch "Cobra" group, the Iraqi Artists Association, and the Spanish Artists Association. His works are held in private collections across Europe, including galleries in Amsterdam, Brussels, and Copenhagen. In 2004, Ali relocated to Valencia, Spain, where he continues to live and work, contributing to the global art scene with his unique perspective and style.

View all works by Saad Alansari

Mixed media

Works combining two or more materials — paint, collage, found objects, text, sand — in a single piece. The approach lets artists layer meaning and material, and is widely used in modern and contemporary MENA art.

Surrealism

Art of the dream and the unconscious, juxtaposing unexpected images to unsettle reason and reveal the irrational. Several Arab modernists embraced its imaginative freedom and symbolism.