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Three Figures Under Falling Shapes, 1975

Estimated price$301 – $559

Graphic, Print Making

34 × 23 cm | 13.4 × 9.1 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

Three elongated, mask-like figures gaze upward toward a cluster of suspended bullet-like shapes falling from a dark grey sky, their bodies rendered in dense cross-hatched lines that convey tension and unease.

Nizar Turki (Iraq).

Graphic, Print Making, 23 × 34 cm, 1975.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
34 × 23 cm | 13.4 × 9.1 in
Year
1975
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Black and White, Grey
Location
Amman, Jordan

About the artist

Nizar Turki — Graphic, Print Making , 23 × 34 cm (representative image)
Nizar Turki

Iraq

Nizar Yahya, born in Baghdad in 1963, is an Iraqi contemporary artist known for his evocative paintings and graphic works. He earned his Bachelor of Fine Arts from the College of Fine Arts at the University of Baghdad in 1986. During the late 1980s and early 1990s, Yahya served as a map illustrator for the Iraqi army. In 2003, he relocated to Amman, Jordan, and subsequently moved to the United States, where he currently resides.

Yahya's artistic practice encompasses painting and graphic arts, often delving into themes of childhood, Sufism, and Greek art. His works are characterized by a blend of traditional motifs and contemporary techniques, reflecting a deep engagement with cultural and historical narratives. He has participated in numerous solo and group exhibitions both locally and internationally. Notable exhibitions include his solo graphic art show at Al-Riwaq Gallery in Baghdad in 1994, participation in the Fredrikstad Biennale in Norway in 1985 and 2000, and a solo exhibition titled "Yusuf" at Dar Al Funoon in Bahrain in 2011. His works have been showcased in venues such as the Jordan National Gallery of Fine Arts and the French Cultural Center in Amman.

Yahya's art has been featured in various publications and exhibitions, highlighting his contributions to contemporary Iraqi art. His exploration of themes like childhood memories and Sufi philosophy has garnered attention for its depth and introspection. While specific auction records are not readily available, his works have been exhibited in esteemed galleries and cultural centers, indicating a recognition of his artistic significance.

View all works by Nizar Turki

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.