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Veiled Woman with Key and Camel, 2024

Estimated price$2,800 – $5,200

Acrylic On Canvas

88 × 70 cm | 34.6 × 27.6 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A veiled woman wearing a golden key pendant stands beside a camel, both emerging from a dense layered background of green and pink brushstrokes overlaid with scattered Arabic script. The expressive, gestural style and rich symbolic elements give the composition a deeply atmospheric and culturally resonant quality.

Mohamed Tarek Zaki (Egypt).

Acrylic On Canvas, 70 × 88 cm, 2024.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
88 × 70 cm | 34.6 × 27.6 in
Year
2024
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Green, Pink, Brown
Location
Amman, Jordan

About the artist

Mohamed Tarek Zaki — Acrylic On Canvas, 88 × 78 cm (representative image)
Mohamed Tarek Zaki

Egypt

Mohamed Tarek Zaki is an Egyptian visual artist known for his mixed-media works that intertwine historical and contemporary symbols to explore themes of identity and cultural heritage. His piece "Out of the Tale," showcased at the 35th Youth Salon from December 11, 2024, to January 11, 2025, exemplifies this approach. The work comprises two components: one measuring 275 x 300 cm and the other 210 x 75 x 40 cm, utilizing various materials. It features elements such as an ancient Egyptian goddess symbolizing feminine power and fertility, juxtaposed with a modern figure reflecting popular culture, creating a visual dialogue between past and present. A wooden boat atop the composition symbolizes transition, while dominant golden hues evoke a sense of sanctity and timelessness. Scattered inscriptions add layers of narrative, suggesting a timeless story or prayer. This amalgamation of diverse elements invites viewers to contemplate human identity and cultural continuity.

Born in 1991, Zaki pursued advanced studies in sculpture and obtained a diploma in design and graphics from the Ministry of Communications and Information Technology. He has participated in multiple editions of the Youth Salon and various exhibitions both domestically and internationally, earning numerous awards. His contributions include involvement in the second edition of the Scrap Metal Sculpture Symposium (2015-2016) and receiving accolades in the Creativity Festival over consecutive years. Zaki has also served as a visual arts trainer for Benha University's team from 2012 to 2016 and worked as an art instructor from 2014 to 2018.

View all works by Mohamed Tarek Zaki

Acrylic

A fast-drying, water-based paint developed in the twentieth century. Versatile and vivid, it can mimic oil or watercolor and suits bold, flat color — a favourite of many contemporary artists across the region.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.