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Bowed Figure on Orange Ground, 2022

Estimated price$1,400 – $2,600

Oil on Canvas

100 × 70 cm | 39.4 × 27.6 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A hunched human figure dominates a blazing orange ground, rendered with frantic gestural lines and swirling marks that convey raw tension and psychological intensity. Loose drips and abstract colour patches across the lower canvas add a charged, almost chaotic energy to the composition.

Avni Xh Behluli (Czech Republic, 1960–present).

Oil on Canvas, 70 × 100 cm, 2022.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
100 × 70 cm | 39.4 × 27.6 in
Year
2022
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Orange, Brown, Blue
Location
Amman, Jordan

About the artist

Avni Xh Behluli — Oil on canvas , 70 × 100 cm (representative image)
Avni Xh Behluli

Czech Republic, b. 1960

Avni Behluli, born in 1960 in Breznicë, Bujanoc, is a Kosovar artist renowned for his work in sculpture, drawing, and graphic arts. He completed his studies in sculpture at the Academy of Arts in Pristina in 1986 under the mentorship of Professor Agim Çavdarbasha. Behluli's artistic style is characterized by a blend of surrealism and expressionism, often exploring themes centered around the human figure in motion, as well as allegorical representations of animals and other motifs. His preferred mediums include wood, stone, and metal, through which he conveys his conceptual visions.

Throughout his career, Behluli has held numerous solo exhibitions, notably his 23rd personal exhibition titled "Simfonia e Artit" ("Symphony of Art") in 2018 at the Gallery of the Ministry of Culture in Pristina. This exhibition featured a series of drawings and graphics that showcased his unique artistic expression. In 2014, he participated in the "ART in Cairo" international artists' residency in Egypt, representing Kosovo alongside artists from Asia, Africa, and Europe. His works have also been exhibited in various international venues, including Vienna and Slovakia.

In addition to his artistic endeavors, Behluli has contributed significantly to art education. He was instrumental in the establishment of the High School of Visual Arts "Adem Kastrati" in Gjilan, Kosovo, where he has served as a professor. His dedication to nurturing young talent underscores his commitment to the development of the arts in the region.

View all works by Avni Xh Behluli

Oil

Pigment bound in oil, prized for its depth, luminosity, and slow drying that lets artists blend and build rich layers. The most enduring medium of modern painting, it remains central to the work of the region's leading modernists.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.