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Abstract Organic Form on Dark Ground

Estimated price$9,870 – $18,330

Zink on Paper

150 × 200 cm | 59.1 × 78.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A luminous, seed-like form radiates delicate vein-like lines outward against a deep, richly textured brown ground, evoking something simultaneously biological and cosmic. The contrast between the glowing pale centre and the dark surrounding field creates a meditative, brooding atmosphere.

Anish Kapoor (United Kingdom, 1954–present).

Zink on Paper, 200 × 150 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
150 × 200 cm | 59.1 × 78.7 in
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Brown, Black and White, Grey
Location
Amman, Jordan

About the artist

Anish Kapoor — Zink on Paper , 200 × 150 cm (representative image)
Anish Kapoor

United Kingdom, b. 1954

Anish Kapoor (born 1954, Mumbai, India) is a British-Indian artist renowned for his innovative use of materials and exploration of form, space, and perception. Since the late 1970s, Kapoor has worked across a variety of mediums, including sculpture, installation, and public art, often employing materials such as pigment, stone, stainless steel, and wax. His signature style is characterized by abstract, often monumental forms that challenge viewers’ spatial awareness, as seen in iconic works like "Cloud Gate" (2004) in Chicago and "Sky Mirror" (2001). Kapoor’s fascination with voids, reflective surfaces, and the interplay of light and color has positioned him as a leading figure in contemporary art.

Kapoor has exhibited extensively at major institutions worldwide, including solo exhibitions at the Tate Modern (London), the Royal Academy of Arts (London), the Guggenheim Museum (Bilbao), and the Institute of Contemporary Art (Boston). He represented Britain at the 44th Venice Biennale in 1990, where he was awarded the Premio Duemila, and won the Turner Prize in 1991. Kapoor’s works are held in prominent public and private collections globally.

At auction, Kapoor’s sculptures and installations have achieved significant results at major houses such as Christie’s and Sotheby’s. Notably, his stainless steel works and pigment pieces have fetched prices exceeding several million dollars, reflecting his status in the international art market. Kapoor continues to live and work in London, maintaining a profound influence on the evolution of contemporary sculpture.

View all works by Anish Kapoor

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Abstract Expressionism

A postwar movement built on spontaneous, gestural abstraction and broad fields of color, conveying feeling without recognizable subjects. Its freedom shaped many Arab modernists exploring abstraction in their own visual language.