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Mother Holding Child in Traditional Dress, 1998

Estimated price$7,000 – $13,000

Mixed media On Canvas

105 × 80 cm | 41.3 × 31.5 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A traditionally dressed woman cradles a small child in her arms, her richly patterned robes and embroidered headscarf rendered in warm amber and earthy brown tones. Surrounding symbolic elements — a luminous disc, delicate leaves, and circular medallions — lend the composition an intimate, almost iconic quality.

Zouhair Hassib (Syria).

Mixed media On Canvas, 80 × 105 cm, 1998.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
105 × 80 cm | 41.3 × 31.5 in
Year
1998
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Orange, Brown, Blue
Location
Amman, Jordan

About the artist

Zouhair Hassib — Mixed media On Canvas, 80 × 105 cm (representative image)
Zouhair Hassib

Syria

Zouhair Hassib (زهير حسيب) is a contemporary Syrian artist, born in 1960 in Qamishli, Syria. Renowned for his evocative figurative paintings, Hassib primarily works with oil on canvas, often depicting serene female figures that reflect themes of resilience, heritage, and the human condition. His style is characterized by a harmonious blend of traditional Middle Eastern motifs and modernist sensibilities, with a distinctive use of color and texture that imbues his subjects with a sense of quiet dignity and introspection.

Hassib’s works have been exhibited in prominent institutions and galleries across the Middle East and internationally, including solo and group exhibitions at the Damascus Opera House and the National Museum in Aleppo. His paintings have also been featured in exhibitions in Beirut, Dubai, and Europe, contributing to his reputation as a significant figure in contemporary Syrian art. In addition to institutional recognition, Hassib’s works have appeared at reputable auction houses such as Christie’s, where his paintings have attracted collectors interested in modern Arab art.

Throughout his career, Zouhair Hassib has remained deeply connected to his Syrian roots, often drawing inspiration from the cultural and social narratives of his homeland. Despite the challenges faced by Syrian artists in recent years, Hassib continues to produce work that resonates with audiences both regionally and internationally, solidifying his place within the broader landscape of Middle Eastern contemporary art.

View all works by Zouhair Hassib

Mixed media

Works combining two or more materials — paint, collage, found objects, text, sand — in a single piece. The approach lets artists layer meaning and material, and is widely used in modern and contemporary MENA art.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.