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Three Speckled Ceramic Bowls

Estimated price$700 – $1,300

Ceramic

15 × 10 cm | 5.9 × 3.9 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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Works leaving Jordan require an export clearance certificate, arranged on your behalf.

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About the work

Three speckled ceramic bowls rest in a quiet arrangement, their surfaces graduating from warm sandy tones to cool mottled grey. The organic texture and understated glaze give each piece a calm, handcrafted character.

Valentinos (Cyprus).

Ceramic, 10 × 15 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
15 × 10 cm | 5.9 × 3.9 in
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Grey, Brown
Location
Amman, Jordan

About the artist

Valentinos — Ceramic, 10 × 15 cm (representative image)
Valentinos

Cyprus

Valentinos Charalambous, born in 1929 in Famagusta, Cyprus, is a distinguished ceramic artist whose career spans over six decades. Raised in a family of traditional potters, he pursued formal studies at the Central School of Arts and Crafts in London from 1948 to 1951, under the tutelage of Dora Billington and Gilbert Harding-Green. He further honed his skills with Bernard Leach in Cornwall. After completing his studies, Charalambous returned to Cyprus, working alongside his father until 1957. That year, he was invited to Baghdad to establish the Department of Ceramics at the Institute of Fine Arts, a role he embraced for nearly three decades. In 1985, he returned to Cyprus, settling in Limassol, where he continues to create and exhibit his work.

Charalambous's oeuvre is characterized by a profound exploration of form and texture, often drawing inspiration from both Cypriot and Middle Eastern artistic traditions. His work encompasses wall-mounted pieces, bowls, and free-standing ceramic sculptures, reflecting a deep understanding of his medium. Notable exhibitions include a significant retrospective at the Evagoras Lanitis Center in Limassol in 2013, which showcased the breadth of his artistic journey. His contributions to art and education have been recognized internationally, including an award at the Cairo Triennale for Ceramics in 1992.

In the art market, Charalambous's works have been featured in various auctions, with pieces like "Dancer" and other ceramic sculptures being offered by Cypria Auctions. His creations are held in numerous private and public collections across Cyprus, Greece, the UK, Iraq, Egypt, Lebanon, and the USA, attesting to his enduring influence and the universal appeal of his artistry.

View all works by Valentinos

Sculptures & Ceramics

Three-dimensional work in stone, bronze, wood, and clay — from carved and cast figures to glazed vessels and tilework. In this region, ceramics carry a deep heritage of Islamic craftsmanship.

Minimalism

Art stripped to essentials — simple forms, clean lines, restrained color, and repetition. It removes the personal gesture to focus on pure shape, space, and material.