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Blue Abstract Forms with Gold Accents, 2019

Estimated price$4,200 – $7,800

Mixed Media on Canvas

152 × 150 cm | 59.8 × 59.1 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A powerful large-scale abstraction dominated by deep, layered blues, where swirling gestural forms burst with flashes of gold, orange, and green against a dark ground. The composition radiates intense energy through its richly textured surface and bold, spontaneous mark-making.

Taha Ashmawi (Egypt, 1965–present).

Mixed Media on Canvas, 150 × 152 cm, 2019.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
152 × 150 cm | 59.8 × 59.1 in
Year
2019
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Blue, Brown, Yellow
Location
Amman, Jordan

About the artist

Taha Ashmawi — Mixed media on canvas , 150 × 150 cm (representative image)
Taha Ashmawi

Egypt, b. 1965

Taha Ashmawy, born on December 10, 1965, in Shubra El Kheima, Egypt, is a distinguished visual artist specializing in graphic design. He earned his Bachelor of Fine Arts from Cairo University in 1990 and has pursued further studies in decoration and computer graphics. Ashmawy is an active member of several art organizations, including the Fine Artists Syndicate, the European Union of Cartoonists (FICO), the Cairo Atelier, the National Society for Arts, the Ghouri Artists Association, and the Asala Association.

Throughout his career, Ashmawy has held numerous solo exhibitions, notably at the Faculty of Fine Arts in Cairo (1990), the Cairo Atelier Gallery (1994), and in Jeddah, Saudi Arabia (1997). His 2021 exhibition titled "Absence" at the Mahmoud Mukhtar Cultural Center in Cairo received acclaim for its innovative approach to graphic art, reflecting on societal themes and the void left by diminishing values. Critics have praised his ability to elevate his work to an international standard through unconventional techniques and a commitment to modernizing traditional subjects.

In addition to his exhibitions, Ashmawy has contributed significantly to the art community through various roles. He has served as an art specialist at the National Center for Fine Arts since 1993 and was seconded to Saudi Arabia to work with the Heritage Agency and Al-Firdous Press. Currently, he is the Director General of Protocol and Creativity Houses at Al-Ghoury Agency. His dedication to the arts and his innovative contributions have solidified his reputation as a leading figure in contemporary Egyptian graphic art.

View all works by Taha Ashmawi

Mixed media

Works combining two or more materials — paint, collage, found objects, text, sand — in a single piece. The approach lets artists layer meaning and material, and is widely used in modern and contemporary MENA art.

Abstract Expressionism

A postwar movement built on spontaneous, gestural abstraction and broad fields of color, conveying feeling without recognizable subjects. Its freedom shaped many Arab modernists exploring abstraction in their own visual language.