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Abstract Figure with Cylindrical Head

Estimated price$14,000 – $26,000

Bronze

30 × 40 × 19 cm | 11.8 × 15.7 × 7.5 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A darkly patinated bronze figure presents a whimsical yet unsettling presence, its dome-shaped torso bearing three protruding eyes, dangling claw-like hands, and a horizontal cylindrical form balanced above on a narrow stem. The sculpture's raw, textured surface and surrealist anatomy evoke a dreamlike tension between the human and the absurd.

Sobhi Gergis (Egypt, 1929–2013).

Bronze, 40 × 30 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
30 × 40 × 19 cm | 11.8 × 15.7 × 7.5 in
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Black and White, Brown
Location
Amman, Jordan

About the artist

Sobhi Gergis — Brass, 45 × 65 cm (representative image)
Sobhi Gergis

Egypt, b. 1929–2013

Sobhi Gergis (1929–2013) was a prominent Egyptian sculptor known for his abstract metal works. He graduated from the Faculty of Fine Arts in Cairo in 1958 and later earned a diploma from the Academy of Fine Arts in Florence, Italy, in 1964. Gergis was influenced by renowned sculptors such as Henry Moore, Ossip Zadkine, and Marino Marini, whose works he encountered during his studies in Florence.

Throughout his career, Gergis held numerous solo exhibitions, including shows at the Akhenaton Gallery in Cairo in 1971, 1981, and 1994, as well as at the Atelier du Caire in 2002. He also participated in various international biennials, representing Egypt at the Venice Biennale in 1976 and the Biennale of Alexandria in 1994, where he received the first prize in sculpture. In 1994, he was awarded the Jury Prize at the Fifth International Cairo Biennale.

Gergis's work is characterized by a transition from traditional figurative forms to abstract compositions, often utilizing materials such as iron, copper, aluminum, and bronze. He was among the first Egyptian sculptors to adopt a modernist approach, focusing on geometric shapes and minimalistic details to represent human and animal figures. His innovative techniques included metal forging and assembling metal plates, as seen in notable works like "Soprano" (1985–1990), "Africa," and "Motherhood."

In addition to his artistic contributions, Gergis served as a professor and head of the Sculpture Department at the Faculty of Fine Arts in Cairo. He was also the first Egyptian artist to establish a personal museum showcasing his works in the Agami district.

View all works by Sobhi Gergis

Sculptures & Ceramics

Three-dimensional work in stone, bronze, wood, and clay — from carved and cast figures to glazed vessels and tilework. In this region, ceramics carry a deep heritage of Islamic craftsmanship.

Surrealism

Art of the dream and the unconscious, juxtaposing unexpected images to unsettle reason and reveal the irrational. Several Arab modernists embraced its imaginative freedom and symbolism.