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Woman in Ornate Red Shawl

Estimated price$9,100 – $16,900

Oil on Canvas

90 × 59 cm | 35.4 × 23.2 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A woman draped in an elaborately patterned red shawl bows her head in quiet contemplation, her form surrounded by swirling fields of vivid blue, crimson, and gold. The expressionistic brushwork and jewel-like palette lend the scene an intense, almost ceremonial atmosphere.

Sharif Mahram (Syria, 1954–2009).

Oil on Canvas, 59 × 90 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
90 × 59 cm | 35.4 × 23.2 in
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Red, Blue, Yellow
Location
Amman, Jordan

About the artist

Sharif Mahram — Oil on canvas, 59 × 90 cm (representative image)
Sharif Mahram

Syria, b. 1954–2009

Shereef Muharram (1954–2009) was a Syrian painter renowned for his expressive and symbolic style that intricately wove together elements of heritage and modernity. Born in the village of Arab Azzah near Aleppo, his early life in a rural setting profoundly influenced his artistic vision. Muharram's works often depicted rural landscapes, traditional architecture, and daily life, reflecting a deep connection to his roots. He employed natural pigments derived from the environment, lending his paintings an organic authenticity. His art was characterized by a blend of structured forms and spontaneous color applications, creating a dynamic interplay between rational composition and emotional expression.

Muharram's artistic journey began at the Fathi Mohammed Center for Fine Arts in Aleppo, where he graduated in 1968. He further honed his skills at the Faculty of Fine Arts at the University of Damascus, earning his degree in 1984. Throughout his career, he held numerous solo exhibitions in cities such as Beirut, Cairo, Alexandria, and across Syria, including a notable show at the Dar Kalimat Gallery in Aleppo in 2008. His works are part of the collections of the Syrian Ministry of Culture, underscoring his significant contribution to the country's art scene.

Despite facing personal hardships, including the loss of his wife and health challenges, Muharram remained dedicated to his craft. He continued to create and exhibit his art until his passing in 2009 at the age of 55. His legacy endures through his evocative paintings that capture the essence of Syrian culture and the human experience.

View all works by Sharif Mahram

Oil

Pigment bound in oil, prized for its depth, luminosity, and slow drying that lets artists blend and build rich layers. The most enduring medium of modern painting, it remains central to the work of the region's leading modernists.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.