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Fragmented Figures Over Stone Wall, 2002

Estimated price$2,100 – $3,900

Printmaking

80 × 69 cm | 31.5 × 27.2 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

Two abstracted, elongated figures emerge above a geometric stone wall, rendered through dense cross-hatching in earthy browns and muted greens. The composition carries a tense, almost ancient quality, as the fractured forms reach and twist against a heavily textured background.

Sayed Kandil (Egypt, 1967–present).

Printmaking, 69 × 80 cm, 2002.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
80 × 69 cm | 31.5 × 27.2 in
Year
2002
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Brown, Green, Yellow
Location
Amman, Jordan

About the artist

Sayed Kandil — Printmaking , 69 × 80 cm (representative image)
Sayed Kandil

Egypt, b. 1967

Sayed Kandil, born in 1967, is an Egyptian artist renowned for his contributions to graphic arts, particularly in printmaking and lithography. A graduate of Helwan University's Faculty of Fine Arts in 1990, he furthered his studies with a master's degree in 1995 and a doctorate in 1998, focusing on expressionist art and its roots. Kandil's work is characterized by expressive and surreal elements, often drawing inspiration from nature and human forms. His mastery of various printmaking techniques, including woodcut and lithography, showcases his dedication to the craft.

Throughout his career, Kandil has held numerous solo exhibitions, starting with his debut in Mansoura in 1987. He has showcased his art in esteemed venues such as the Akhenaton Gallery and the Gezira Art Center in Cairo. Internationally, his work has been displayed in Italy, France, and Poland, among other countries. Notably, his 2014 exhibition "Thawrat Wogoh" ("Revolution of Faces") captured the transformations in Egypt post the January 25 Revolution, reflecting his engagement with contemporary societal themes.

In addition to his artistic endeavors, Kandil has held significant academic and administrative positions. He served as the Dean of the Faculty of Fine Arts at Helwan University and, as of 2024, was appointed President of the university. His contributions to the art world have been recognized with several awards, including the State Incentive Award in Graphic Arts. Kandil's works are part of collections in institutions like the Museum of Modern Art in Egypt and are held by private collectors in countries such as Syria, Italy, France, and Bulgaria.

View all works by Sayed Kandil

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.