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Two Figures with Patterned Background, 1994

Estimated price$3,500 – $6,500

Acrylic On Canvas

60 × 50 cm | 23.6 × 19.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

Two stylized figures stand side by side against a richly patterned geometric background of zigzags and diamonds in yellow, orange, and teal. Their expressively rendered faces — one in profile with red hair and green earring, the other facing forward with blue hair — are painted in bold, contrasting hues that give the composition a vibrant, almost theatrical energy.

Sattar Kawoush (Iraq).

Acrylic On Canvas, 50 × 60 cm, 1994.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
60 × 50 cm | 23.6 × 19.7 in
Year
1994
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Red, Blue, Yellow
Location
Amman, Jordan

About the artist

Sattar Kawoush — Oil on Canvas, 50 × 58 cm (representative image)
Sattar Kawoush

Iraq

Sattar Kawoosh, born in Baghdad in 1963, is an Iraqi visual artist renowned for his vibrant and expressive paintings. He graduated from the Academy of Fine Arts at the University of Baghdad in 1990. In 2001, Kawoosh relocated to the Netherlands, where he continues to develop his artistic practice.

Kawoosh's work is characterized by a unique blend of Eastern and Western artistic influences, merging the rich narratives of "One Thousand and One Nights" with the decorative elements of Art Nouveau. His paintings often depict intimate moments between men and women, rendered in vivid colors and dynamic compositions. Beyond traditional canvases, he experiments with unconventional formats, including round and oval shapes, as well as three-dimensional pieces like tables and chairs.

Throughout his career, Kawoosh has held over 25 solo exhibitions and participated in approximately 70 group shows across Iraq, Jordan, Italy, the United States, Ukraine, Sweden, the United Arab Emirates, Germany, France, and the Netherlands. Notable solo exhibitions include those at Al-Tahrir Gallery in Baghdad (1987), Karas Gallery in Kiev (1996), Van Gogh House in Hoogeveen (2005), and Dar Al-Anda Art Gallery in Amman (2012). His contributions to art have been recognized with several awards, including the third prize at the Modern Iraqi Art Exhibition in Baghdad (1992), the main prize at the same exhibition in 1993, and the Golden Phoenix Award for Best Iraqi Painter in the Netherlands (2011). In 2006, Amnesty International selected his painting "Whispering" for a globally distributed postcard.

View all works by Sattar Kawoush

Acrylic

A fast-drying, water-based paint developed in the twentieth century. Versatile and vivid, it can mimic oil or watercolor and suits bold, flat color — a favourite of many contemporary artists across the region.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.