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Abstract Figures and Arabic Script Composition, 1969

Estimated price$9,870 – $18,330

Ink on Paper

35 × 45 cm | 13.8 × 17.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

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About the work

A densely composed ink drawing populated with whimsical, totem-like figures and fragments of Arabic script, weaving together folk imagery and surrealist fantasy. Bold black forms crowd the cream-toned paper, creating a dreamlike narrative full of symbolic energy.

Saed AlAdawi (Egypt, 1938–1973).

Ink on Paper, 45 × 35 cm, 1969.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Ink & Pencil (Sketches)
Size
35 × 45 cm | 13.8 × 17.7 in
Year
1969
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Black and White, Brown
Location
Amman, Jordan

About the artist

Saed AlAdawi — Watercolour on paper , 20 × 25 cm (representative image)
Saed AlAdawi

Egypt, b. 1943–1957

Said El-Adawi (1938–1973) was an influential Egyptian artist known for his contributions to painting, engraving, and graphic arts. Born in Alexandria, he was among the first cohort to enroll at the Faculty of Fine Arts in Alexandria in 1957, graduating with distinction in 1962. His master's thesis, completed in 1972, focused on Arabic calligraphy, reflecting his deep engagement with traditional art forms.

El-Adawi's artistic style is characterized by abstract and surrealist compositions that often incorporate distorted, cartoon-like figures reminiscent of Pablo Picasso and Joan Miró. He seamlessly blended these modernist influences with calligraphic forms and motifs derived from Islamic art, creating a unique visual language. His works frequently conveyed moral messages inspired by the significant political and social changes of the 1960s.

In 1965, El-Adawi co-founded the Alexandrian Experimentalists Society (Tagribiyin) with Mahmoud Abdallah and Mustafa Abdel Moity, aiming to explore new artistic expressions. He held several solo exhibitions in Cairo and Alexandria and participated in both local and international shows. Notably, he was awarded the second prize at the Alexandria Biennale. His works are part of esteemed collections, including the Museum of Modern Egyptian Art in Cairo, the Museum of Modern Art in Alexandria, and the Institut du Monde Arabe in Paris.

View all works by Saed AlAdawi

Surrealism

Art of the dream and the unconscious, juxtaposing unexpected images to unsettle reason and reveal the irrational. Several Arab modernists embraced its imaginative freedom and symbolism.