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Figure with Raised Fists, 1976

Estimated price$6,909 – $12,831

Mixografia in Colours

57 × 76 cm | 22.4 × 29.9 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A stocky, faceless figure thrusts both fists skyward against a mottled ochre and grey background, rendered in richly textured red tones that seem almost sculpted in relief. The raw, primal energy of the pose and the deeply worked surface create a striking sense of power and defiance.

RUFINO TAMAYO (Mexico, 1899–1991).

Mixografia in Colours, 76.8 × 57 cm, 1976.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. Signed and editioned 110/ 140 .

Medium
Size
57 × 76 cm | 22.4 × 29.9 in
Year
1976
Edition
110/ 140
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Red, Brown, Grey
Location
Amman, Jordan

About the artist

RUFINO TAMAYO — Mixografia in Colours , 76.8 × 57 cm (representative image)
RUFINO TAMAYO

Mexico, b. 1899–1991

Rufino Tamayo (1899–1991) was a renowned Mexican painter and printmaker celebrated for his distinctive synthesis of European modernism and Mexican folk traditions. Working primarily in painting, Tamayo also explored printmaking and sculpture, employing vivid colors and textured surfaces to depict universal themes of humanity, nature, and cosmic symbolism. His style, often associated with Mexican Modernism, diverged from the overtly political narratives of his contemporaries, focusing instead on personal and mythological subjects rendered in a unique blend of abstraction and figuration.

Tamayo’s work has been exhibited in major institutions worldwide, including the Museum of Modern Art in New York, the Museo Tamayo in Mexico City, and the Solomon R. Guggenheim Museum. He represented Mexico in international exhibitions such as the Venice Biennale and was the subject of numerous retrospectives, solidifying his status as a leading figure in 20th-century art. His paintings and works on paper have achieved significant results at major auction houses, with pieces such as "Tres Personajes" commanding multi-million dollar prices at Sotheby’s and Christie’s, reflecting his enduring influence and desirability among collectors.

Born in Oaxaca, Mexico, Tamayo’s artistic legacy is deeply rooted in his heritage while remaining universally resonant. His innovative approach and prolific output have made him a central figure in the history of modern art, both in Latin America and internationally.

View all works by RUFINO TAMAYO

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.