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Red Collage with Architectural Photo Fragments, 1979

Estimated price$4,935 – $9,165

Lithograph on Paper

77 × 58 cm | 30.3 × 22.8 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

Bold red rectangular planes dominate this layered lithograph, overlapping photographic transfers of architectural domes, ornate interiors, a locomotive, and floral seed packets in a dynamic collage arrangement. The composition balances graphic intensity with fragmented documentary imagery, creating a visually charged tension between abstraction and everyday life.

ROBERT RAUSCHENBERG (United States, 1925–2008).

Lithograph on Paper, 58 × 77 cm, 1979.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. Signed and editioned 83 /100.

Medium
Size
77 × 58 cm | 30.3 × 22.8 in
Year
1979
Edition
83 /100
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Red, Grey, Black and White
Location
Amman, Jordan

About the artist

ROBERT RAUSCHENBERG — Lithograph on paper , 75.5 × 106.5 cm (representative image)
ROBERT RAUSCHENBERG

United States, b. 1925–2008

Robert Rauschenberg (1925–2008) was a pioneering American artist whose innovative approach to artmaking helped redefine the boundaries between painting, sculpture, and everyday life. Born in Port Arthur, Texas, Rauschenberg emerged as a central figure in the postwar American art scene. He is best known for his “Combines,” hybrid works that fused painting with found objects, blurring the distinction between art and the ordinary world. Rauschenberg’s practice spanned a wide range of media, including painting, printmaking, photography, performance, and sculpture, and he was instrumental in the transition from Abstract Expressionism to Pop Art and Conceptual Art.

Rauschenberg’s work has been the subject of major institutional exhibitions worldwide, including retrospectives at the Museum of Modern Art (MoMA) in New York, the Solomon R. Guggenheim Museum, and the Tate Modern in London. His influence extended internationally, with exhibitions at the Centre Pompidou in Paris and the Museo Nacional Centro de Arte Reina Sofía in Madrid. At auction, Rauschenberg’s works have achieved significant results at leading houses such as Christie’s and Sotheby’s, with his “Buffalo II” (1964) selling for over $88 million at Christie’s in 2019, underscoring his enduring market presence and critical acclaim. Rauschenberg’s legacy is marked by his relentless experimentation and his profound impact on generations of artists worldwide.

View all works by ROBERT RAUSCHENBERG

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Pop Art

Art that draws on advertising, packaging, comics, and mass media, celebrating and critiquing popular culture in bold color. In the region, artists adapt its visual punch to local imagery and consumer life.