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Passages Figures Walking Through Tunnel

Estimated price$987 – $1,833

Etching And Aquatint

56 × 75 cm | 22.0 × 29.5 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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Works leaving Jordan require an export clearance certificate, arranged on your behalf.

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About the work

A divided composition of panels depicts silhouetted figures moving through a shadowy tunnel corridor, while a lone figure with a spear and distant cityscape occupy the upper register. The work carries a brooding, atmospheric quality rendered in deep greys, blacks, and teal through precise etching and aquatint layering.

Rivka Freidman (Jordan).

Etching And Aquatint, 75 × 56.5 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
56 × 75 cm | 22.0 × 29.5 in
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Blue, Grey, Black and White
Location
Amman, Jordan

About the artist

Rivka Freidman — Etching And Aquatint, 75 × 56.5 cm (representative image)
Rivka Freidman

Jordan

Rivka Rinn, born in Israel, is a distinguished artist known for her work in photography and installation art. She pursued her studies at the Universität für Angewandte Kunst in Vienna, Austria, from 1976 to 1980. Rinn's artistic journey has been marked by a deep engagement with themes of memory, identity, and the interplay between light and space.

Throughout her career, Rinn has exhibited her works in numerous solo exhibitions across Europe and Israel. Notable exhibitions include shows at the Julie M. Gallery in Tel Aviv, Israel, in 1984 and 1985; the Gimmel Gallery in Jerusalem in 1984; and the Art Brazil Gallery in São Paulo, Brazil, in 1985. Her work has also been featured in esteemed institutions such as the Museum of Israeli Art in Ramat Gan, Israel, in 1991. Rinn's contributions to the art world extend beyond her exhibitions; she has held teaching positions at various institutions, including the Internationale Sommerakademie für Bildende Kunst in Salzburg, Austria, and the Universität für Angewandte Kunst in Vienna.

Rinn's artistic practice is characterized by a meticulous exploration of visual perception and the ephemeral qualities of light. Her installations often invite viewers to engage with space in contemplative ways, reflecting her profound interest in the sensory experiences of art. Her works are held in private and public collections, attesting to her significant impact on contemporary art.

View all works by Rivka Freidman

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.