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Solitary Figure in Dark Cloak, 2007

Estimated price$2,450 – $4,550

Acrylic on Paper

29 × 40 cm | 11.4 × 15.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A lone figure draped in dark ink stands at the centre of the composition, surrounded by loose, gestural washes of blue and grey that dissolve into the raw paper ground. The expressive brushwork and muted palette convey a quiet, brooding solitude.

Reda Abdel Rahman (Egypt).

Acrylic on Paper, 40 × 29 cm, 2007.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
29 × 40 cm | 11.4 × 15.7 in
Year
2007
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Blue, Black and White, Grey
Location
Amman, Jordan

About the artist

Reda Abdel Rahman — Acrylic on Paper, 35 × 50 cm (representative image)
Reda Abdel Rahman

Egypt, b. 1966

Reda Abdel Rahman, born in Ismailia, Egypt, in 1966, is a distinguished contemporary artist whose work intricately weaves ancient Egyptian motifs with modern themes. He earned his Bachelor of Fine Arts from Minya University in 1988, followed by a Master's degree in mural painting from Helwan University in 1995, and a Ph.D. in Fine Arts from Minya University in 1999. His artistic journey is profoundly influenced by his upbringing amidst the natural beauty of Ismailia and his academic experiences surrounded by Pharaonic monuments and Coptic monasteries.

Throughout his career, Abdel Rahman has held over 30 solo exhibitions across Egypt and internationally, including notable showcases at the Museum of Fine Arts in Alexandria, the Egyptian Cultural Center in Paris (2007), the Mosaic Rooms in London (2013), and the New House Gallery in New York (2020). He has also participated in significant group exhibitions such as the Cairo Biennale (2019) and the Spring Break Art Show in Los Angeles (2025). In 2021, he inaugurated the Portrait Studio & Art School in New York, aiming to foster artistic dialogue between Egyptian and American art communities.

Abdel Rahman's art is characterized by a harmonious blend of traditional techniques and contemporary mediums, often employing acrylics, oils, and gold leaf to depict themes that bridge Egypt's rich heritage with modern narratives. His works are held in various private and public collections, reflecting his significant contribution to the global art scene.

View all works by Reda Abdel Rahman

Acrylic

A fast-drying, water-based paint developed in the twentieth century. Versatile and vivid, it can mimic oil or watercolor and suits bold, flat color — a favourite of many contemporary artists across the region.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.