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Black Abstract X Form Composition

Estimated price$6,909 – $12,831

Mono Type, Print Making

23 × 32 cm | 9.1 × 12.6 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

Duties & taxes are excluded from the price. International buyers are responsible for any customs fees on arrival. Full export documentation provided.

Works leaving Jordan require an export clearance certificate, arranged on your behalf.

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About the work

A commanding monotype composition built around a bold X form, its intersecting diagonals filled with spirals, coils, and triangular shapes rendered in deep black against a pale ground. The gestural lines and layered textures create a raw, expressionistic energy that feels both structured and spontaneous.

Princess Fahrelnissa Zaid (Jordan, 1901–1991).

Mono Type, Print Making, 32 × 23 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
23 × 32 cm | 9.1 × 12.6 in
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Black and White, Grey
Location
Amman, Jordan

About the artist

Princess Fahrelnissa Zaid — Oil on Board, 27 × 24 cm (representative image)
Princess Fahrelnissa Zaid

Jordan, b. 1901–1991

Princess Fahrelnissa Zeid (1901–1991) was a pioneering modernist painter of Turkish origin who later became associated with Jordan through her marriage to Prince Zeid bin Hussein. Renowned for her vibrant, large-scale abstract compositions, Zeid’s work spans painting, drawing, and printmaking, often characterized by bold color palettes and intricate, mosaic-like patterns. Her artistic practice bridged Eastern and Western influences, reflecting her cosmopolitan upbringing and extensive travels across Europe and the Middle East.

Zeid’s career was marked by significant institutional recognition. She held major solo exhibitions at venues such as the Institute of Contemporary Arts in London (1954) and the Galerie Dina Vierny in Paris. In recent years, her legacy has been celebrated with retrospectives at the Tate Modern in London (2017) and the Istanbul Modern. Zeid’s works have achieved notable results at international auctions, with pieces sold at Christie’s and Sotheby’s, underscoring her enduring market appeal and historical significance. Her contributions to modern art have positioned her as a central figure in both Turkish and Middle Eastern art histories, celebrated for her innovative approach and cross-cultural impact.

View all works by Princess Fahrelnissa Zaid

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Abstract Expressionism

A postwar movement built on spontaneous, gestural abstraction and broad fields of color, conveying feeling without recognizable subjects. Its freedom shaped many Arab modernists exploring abstraction in their own visual language.