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Abstract Composition in Purple and Teal, 2001

Estimated price$4,200 – $7,800

Mixed Media on Paper

40 × 30 cm | 15.7 × 11.8 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A richly layered abstract composition bursts with gestural strokes of teal, magenta, and violet against a deep charcoal ground, conveying intense expressive energy. Arabic inscriptions at the lower edge ground the work in cultural identity, while drips and textured marks animate the surface with raw, spontaneous feeling.

Nouri Al Rawi (Iraq, 1925–2014).

Mixed Media on Paper, 30 × 40 cm, 2001.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
40 × 30 cm | 15.7 × 11.8 in
Year
2001
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Purple, Green, Pink
Location
Amman, Jordan

About the artist

Nouri Al Rawi — Oil on Canvas, 101 × 103 cm (representative image)
Nouri Al Rawi

Iraq, b. 1925–2014

Nouri Al Rawi (1925–2014) was a prominent Iraqi painter, art critic, and cultural figure, recognized as one of the foundational artists of modern Iraqi art. Born in Rawa, Iraq, Al Rawi was deeply influenced by the cultural heritage and landscapes of his homeland, which often appeared in his paintings. He worked primarily in oil on canvas, developing a distinctive style that blended elements of Iraqi folklore, symbolism, and abstraction. His compositions frequently explored themes of identity, memory, and the interplay between tradition and modernity.

Al Rawi played a significant role in Iraq’s artistic community, both as an artist and as a cultural administrator. He served as the director of the National Museum of Modern Art in Baghdad and was instrumental in promoting Iraqi art domestically and internationally. His works have been exhibited in major institutions, including the National Museum of Modern Art in Baghdad and in group exhibitions across the Arab world. Al Rawi’s paintings have also appeared at reputable auction houses such as Christie’s, where his works have attracted interest from collectors of Middle Eastern modern art, underscoring his enduring legacy in the region’s art market.

Throughout his career, Nouri Al Rawi contributed to the intellectual discourse on art in Iraq, publishing essays and critiques that shaped the understanding of modern Iraqi aesthetics. His legacy endures through his artworks, writings, and his influence on subsequent generations of Iraqi artists.

View all works by Nouri Al Rawi

Mixed media

Works combining two or more materials — paint, collage, found objects, text, sand — in a single piece. The approach lets artists layer meaning and material, and is widely used in modern and contemporary MENA art.

Abstract Expressionism

A postwar movement built on spontaneous, gestural abstraction and broad fields of color, conveying feeling without recognizable subjects. Its freedom shaped many Arab modernists exploring abstraction in their own visual language.