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Arabic Calligraphy with Decorative Border

Estimated price$6,909 – $12,831

Calligraphy

75 × 56 cm | 29.5 × 22.0 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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Works leaving Jordan require an export clearance certificate, arranged on your behalf.

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About the work

Bold Arabic calligraphy rendered in Thuluth and Kufic scripts rises dramatically against a cream ground, its vertical strokes ascending with striking elegance. The composition is framed by an intricate illuminated border of blue, gold, and floral motifs in the classical Islamic manuscript tradition.

Nassar Mansour (Jordan).

Calligraphy, 56 × 75 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
75 × 56 cm | 29.5 × 22.0 in
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Black and White, Blue
Location
Amman, Jordan

About the artist

Nassar Mansour — Calligraphy, 56 × 75 cm (representative image)
Nassar Mansour

Jordan

Nassar Mansour (b. 1967, Jordan) is a prominent Jordanian artist and calligrapher renowned for his mastery of Arabic calligraphy, particularly within the Diwani and Thuluth scripts. Mansour’s work is characterized by a meticulous approach to classical calligraphic traditions, often exploring the interplay between text, geometry, and abstraction. He is recognized for his innovative yet reverent interpretations of traditional scripts, which have contributed to the contemporary revival of Islamic calligraphy.

Mansour has exhibited internationally, with notable institutional exhibitions including the British Museum in London, where his works have been displayed as part of the museum’s Islamic art collections. He has also participated in exhibitions at the Museum of Islamic Art in Doha and the Sharjah Calligraphy Biennial, underscoring his significance in the field of contemporary calligraphy. In addition to his artistic practice, Mansour is an accomplished scholar, holding a PhD in the history of Islamic art and calligraphy, and has published extensively on the subject.

His works have appeared at major auction houses, including Sotheby’s and Christie’s, where his calligraphic pieces have attracted collectors interested in both contemporary and classical Islamic art. Nassar Mansour continues to live and work in Jordan, contributing to the global appreciation and understanding of Arabic calligraphy through both his art and academic endeavors.

View all works by Nassar Mansour

Calligraphy

The art of beautiful writing. In the Arab and Islamic world it is among the most revered art forms, transforming Arabic script — Quranic verse, poetry, a single letter — into image, rhythm, and spiritual expression.

Calligraphic Abstraction

Also known as Hurufiyya, this movement reimagines Arabic letters as pure abstract form — a defining current of modern Arab art that fuses centuries of calligraphic heritage with contemporary abstraction.