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Elderly Bearded Man Seated with Books, 1971

Estimated price$7,000 – $13,000

Oil on Canvas

34 × 29 cm | 13.4 × 11.4 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A distinguished elderly man with white hair and a full beard sits in a red armchair, resting his hands on a stack of books while a small landscape painting of palm trees hangs on the wall behind him. The painting is rendered in warm, earthy tones with expressive brushwork that lends the subject a quiet air of intellectual gravitas.

Najeeb Younis (Iraq).

Oil on Canvas, 29 × 34 cm, 1971.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
34 × 29 cm | 13.4 × 11.4 in
Year
1971
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Brown, Red, Green
Location
Amman, Jordan

About the artist

Najeeb Younis — Oil on canvas, 29 × 34 cm (representative image)
Najeeb Younis

Iraq

Najeeb Younis (1930–2007) was a prominent Iraqi artist from Mosul, known for his contributions to the country's modern art movement. Born into the distinguished Al-Sharif Bey family, he pursued his passion for art by studying at the Higher School of Fine Arts in Cairo, graduating with honors in 1954. During his studies, he was influenced by Impressionism and the art of portraiture, particularly under the mentorship of Egyptian artist Ahmed Sabry.

Upon returning to Mosul, Younis dedicated himself to teaching art in various secondary schools and later at the University of Mosul. In 1965, he established "Beit al-Fann" (House of Art), the city's first center for fine arts, nurturing a new generation of artists. His artistic style evolved into what was termed "popular realism," capturing daily life scenes in Mosul and its surroundings. His works often depicted vibrant local traditions, including the colorful attire and dances of the Yazidi community, as well as still lifes and natural landscapes.

Younis's career was marked by numerous exhibitions both domestically and internationally. He held his first solo exhibition in Mosul in 1961, followed by another in 1965. In 1985, a retrospective showcasing 250 of his works was held at the National Museum of Fine Arts in Baghdad, and he also exhibited in London that same year. Subsequent solo exhibitions took place in Bahrain (1998, 2001) and the United Arab Emirates (2002). His contributions were recognized with several honors, including the Order of Pioneers of Iraqi Art awarded by the Ministry of Culture and Information in 1996.

View all works by Najeeb Younis

Oil

Pigment bound in oil, prized for its depth, luminosity, and slow drying that lets artists blend and build rich layers. The most enduring medium of modern painting, it remains central to the work of the region's leading modernists.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.