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Seated Woman Below Floating Cloud Figure

Estimated price$350 – $650

Mixed Media on Paper

11 × 11 cm | 4.3 × 4.3 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A loosely sketched female figure sits with arms crossed within a framed lower panel, while above her a ghostly cloud-like form hovers in a grey-toned upper compartment — all rendered on raw brown paper with an intimate, dream-like quality.

Nabil Mustafa Hussein (Egypt).

Mixed Media on Paper, 11 × 11.5 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
11 × 11 cm | 4.3 × 4.3 in
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Brown, Grey, Black and White
Location
Amman, Jordan

About the artist

Nabil Mustafa Hussein — Mixed media On Paper , 11 × 11.5 cm (representative image)
Nabil Mustafa Hussein

Egypt

Mohamed Nabil Mustafa Hassan, known professionally as Nabil Mustafa, is an Egyptian painter born on March 25, 1942, in Cairo. He earned his Bachelor's degree in oil painting from the Faculty of Fine Arts in 1968, followed by a Master's in 1976 and a Ph.D. in 1987. Mustafa's artistic journey is deeply influenced by ancient Egyptian art, particularly in his treatment of surfaces and the use of contemporary materials to achieve textures reminiscent of traditional techniques. His work often reflects the unique characteristics of the Egyptian environment, emphasizing local aesthetics in light, color, and texture.

Throughout his career, Mustafa has held several academic and administrative positions. He began as an assistant lecturer in the painting department at the Faculty of Fine Arts in 1968 and later served as a lecturer in Kuwait's Faculty of Basic Education from 1983 to 1987. In 1996, he was appointed director of the Mohamed Mahmoud Khalil Museum in Cairo. His contributions to art education include supervising numerous master's and doctoral theses, focusing on topics such as the revival of natural forms in Western painting and the expressive values in painted stone pieces.

Mustafa has showcased his work in various solo and group exhibitions. Notable solo exhibitions include his 1966 show at the House of Artists in Cairo and his 1998 exhibition titled "Leveling and Reliefing Tableaus" at the Faculty of Fine Arts. His works are part of private collections in Cairo, Kuwait, and Lebanon. In 1966, he received a prize from the Pioneers Exhibition, recognizing his contributions to the Egyptian art scene.

View all works by Nabil Mustafa Hussein

Mixed media

Works combining two or more materials — paint, collage, found objects, text, sand — in a single piece. The approach lets artists layer meaning and material, and is widely used in modern and contemporary MENA art.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.