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Distorted Figures in Close Crowd, 2019

Estimated price$1,400 – $2,600

Acrylic On Canvas

46 × 92 cm | 18.1 × 36.2 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A densely packed crowd of distorted human figures fills the canvas in expressive, gestural brushwork, their overlapping faces and bodies rendered in warm earthy pinks and browns against muted blue-grey shadows. The composition radiates raw emotional intensity, blurring individual identities into a collective human presence.

Mostafa Sleem (Egypt).

Acrylic On Canvas, 92 × 46 cm, 2019.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
46 × 92 cm | 18.1 × 36.2 in
Year
2019
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Brown, Pink, Blue
Location
Amman, Jordan

About the artist

Mostafa Sleem — Acrylic On Canvas, 124 × 147 cm (representative image)
Mostafa Sleem

Egypt

Mostafa Sleem, born in El Minia, Egypt, in 1981, is a distinguished visual artist and painter known for his compelling figurative works. Utilizing acrylics and oil paints, he delves into the human form, exploring themes of identity and cultural heritage. Beyond his paintings, Sleem has made significant contributions to children's art education, authoring 30 instructional books between 2006 and 2008 that simplify drawing concepts for young learners. He has also illustrated over 100 children's books and designed covers for esteemed authors like Sonallah Ibrahim and Ibrahim Abdel Qadir El Mazini.

Sleem's artistic journey includes numerous solo exhibitions, such as "Bent Embareh" (2013), "Protein" (2014), and "Gymno" (2017) at Art Corner Gallery. His work has been showcased in prominent group exhibitions, including the General Exhibitions at the Palace of Arts (2003, 2012), "Saturated Souls" at Darb 1718 (2010), and "Face of Women" at Alliance Française de Port-Saïd. Internationally, his art has been featured at the Museum of Contemporary Arts in Pennsylvania (2012) and NordArt in Germany (2014). In 2022, he presented "Saqi Al-Alhan," focusing on Nubian and traditional musical bands, at Azad Art Gallery in Zamalek.

Sleem's works are part of esteemed collections, including the Museum of Modern Art at the Cairo Opera House and Picasso Art Gallery. His paintings, such as "News" (2024), have been offered in the art market, reflecting his growing prominence. Through his evocative portrayals and dedication to art education, Sleem continues to enrich the Egyptian and international art scenes.

View all works by Mostafa Sleem

Acrylic

A fast-drying, water-based paint developed in the twentieth century. Versatile and vivid, it can mimic oil or watercolor and suits bold, flat color — a favourite of many contemporary artists across the region.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.