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Pink Abstract Form with Colorful Base, 2012

Estimated price$1,400 – $2,600

Acrylic On Canvas

100 × 100 cm | 39.4 × 39.4 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A large luminous pink orb dominates the canvas, ringed with scattered dots and swirling brushwork, while a burst of vivid multicolored strokes erupts beneath it. The composition balances soft, airy greys with bursts of red, blue, yellow, and teal, creating a sense of joyful upward movement.

Mohammad Abu Sal (Palestine, 1976–present).

Acrylic On Canvas, 100 × 100 cm, 2012.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
100 × 100 cm | 39.4 × 39.4 in
Year
2012
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Pink, Grey, Blue
Location
Amman, Jordan

About the artist

Mohammad Abu Sal — Acrylic On Canvas, 100 × 100 cm (representative image)
Mohammad Abu Sal

Palestine, b. 1976

Mohammad Abu Salah, born in 1955 in Aleppo to a Palestinian family originally from Haifa, was a self-taught artist whose work deeply reflected the Palestinian experience. His artistic journey began in his teenage years, culminating in his first solo exhibition at the Aleppo National Museum at just seventeen. This early showcase highlighted his ability to convey profound themes of national struggle and identity through his art.

Throughout his career, Abu Salah was an active member of several artistic and literary unions, including the General Union of Palestinian Artists and the General Union of Palestinian Writers and Journalists. His participation in these organizations underscored his commitment to the cultural and political discourse surrounding Palestinian identity. He held solo exhibitions in cities like Aleppo and Damascus and contributed to group exhibitions worldwide, including in Moscow, Beirut, Madrid, and New York. His works, such as "Abjadia Al-Hob wa Al-Thawra" (The Alphabet of Love and Revolution) and "Istirahat Muqatil" (A Fighter's Rest), are noted for their evocative portrayal of the Palestinian struggle.

In addition to his visual art, Abu Salah was skilled in design and print production, showcasing his versatility in the arts. He also designed the set for the 1986 play "Ihtifal Layli Khas li-Dresden" (A Special Night Celebration for Dresden), written by Mustafa Al-Halaj and directed by Wanis Bandak. Tragically, his life was cut short in 1986 in Aleppo due to a severe brain hemorrhage, leaving behind a legacy that continues to inspire and resonate within the Palestinian art community.

View all works by Mohammad Abu Sal

Acrylic

A fast-drying, water-based paint developed in the twentieth century. Versatile and vivid, it can mimic oil or watercolor and suits bold, flat color — a favourite of many contemporary artists across the region.

Abstract Expressionism

A postwar movement built on spontaneous, gestural abstraction and broad fields of color, conveying feeling without recognizable subjects. Its freedom shaped many Arab modernists exploring abstraction in their own visual language.