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Abstract Textured Mixed Media Diptych, 2025

Estimated price$3,500 – $6,500

Mixed Media on Canvas

60 × 120 cm | 23.6 × 47.2 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

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Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

Two contrasting panels meet in this richly textured mixed media work, where earthy ochres and warm browns dominate the left alongside embedded organic materials, while the right panel layers dark grey and mauve tones in a grid-like arrangement scattered with small embedded fragments.

Mohammad Abu AlNaja (Egypt).

Mixed Media on Canvas, 120 × 60 cm, 2025.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
60 × 120 cm | 23.6 × 47.2 in
Year
2025
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Brown, Yellow, Grey
Location
Amman, Jordan

About the artist

Mohammad Abu AlNaja — Mixed media on canvas , 150 × 150 cm (representative image)
Mohammad Abu AlNaja

Egypt

Mohammad Abu AlNaja (محمد أبو النجا) is a prominent Egyptian artist known for his multidisciplinary practice, which spans painting, printmaking, installation, and conceptual art. Born in 1960 in Damietta, Egypt, Abu AlNaja has established himself as a significant figure in contemporary Egyptian art, often exploring themes related to identity, memory, and the interplay between tradition and modernity. His works are characterized by their experimental use of materials and techniques, frequently incorporating elements of Arabic calligraphy and references to Egyptian cultural heritage.

Abu AlNaja has exhibited extensively both in Egypt and internationally. Notably, his works have been shown at the Cairo International Biennale and the Sharjah Biennial, as well as in solo and group exhibitions at the Palace of Arts in Cairo and the Bibliotheca Alexandrina. His art has also been included in institutional collections, such as the Museum of Modern Egyptian Art. While his primary recognition comes from institutional exhibitions and cultural awards, his works have occasionally appeared in reputable auctions, including sales at Sotheby’s and Christie’s, reflecting his standing in the regional art market.

Throughout his career, Mohammad Abu AlNaja has contributed to the development of contemporary art in Egypt, both as an artist and as an educator. He has held teaching positions at several Egyptian universities, nurturing a new generation of artists. His innovative approach and commitment to cultural dialogue continue to influence the evolving landscape of Middle Eastern art.

View all works by Mohammad Abu AlNaja

Mixed media

Works combining two or more materials — paint, collage, found objects, text, sand — in a single piece. The approach lets artists layer meaning and material, and is widely used in modern and contemporary MENA art.

Abstract Expressionism

A postwar movement built on spontaneous, gestural abstraction and broad fields of color, conveying feeling without recognizable subjects. Its freedom shaped many Arab modernists exploring abstraction in their own visual language.