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Figures Gathered in Layered Scene, 2002

Estimated price$2,961 – $5,499

Watercolor on Paper

40 × 60 cm | 15.7 × 23.6 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

Multiple human figures emerge from a fluid, layered composition of gestural brushstrokes and translucent washes, where a bold blue silhouette dominates a sweeping arc above scattered forms. The scene carries a dreamlike, expressive quality, blending photographic impressions with painterly marks in muted greys, blues, and greens.

Mohammad Abla (Egypt, 1956–present).

Watercolor on Paper, 60 × 40 cm, 2002.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
40 × 60 cm | 15.7 × 23.6 in
Year
2002
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Blue, Grey, Green
Location
Amman, Jordan

About the artist

Mohammad Abla — Oil on Canvas, 120 × 120 cm (representative image)
Mohammad Abla

Egypt, b. 1956

Mohammad Abla (محمد عبلة), born in 1953 in Belqas, Egypt, is a prominent contemporary Egyptian artist known for his dynamic engagement with painting, drawing, and mixed media. Abla’s work often explores themes of memory, social change, and the Egyptian landscape, rendered in expressive brushwork and vibrant color palettes. He studied at the Faculty of Fine Arts in Alexandria and later continued his artistic education in Europe, which influenced his stylistic development and broadened his international perspective.

Abla has exhibited extensively in major institutions, including the Egyptian Museum of Modern Art in Cairo, the Institut du Monde Arabe in Paris, and the Kunstmuseum in Bonn. His works have also been featured in significant group exhibitions such as the Venice Biennale and the Cairo Biennale, underscoring his status in both regional and global art scenes. In 2007, he founded the Fayoum Art Center, fostering artistic exchange and supporting emerging artists in Egypt.

At auction, Mohammad Abla’s paintings have appeared at reputable houses such as Sotheby’s and Christie’s, with notable sales reflecting growing international interest in contemporary Egyptian art. His pieces are held in several public and private collections, affirming his position as a leading figure in the postmodern Egyptian art movement. Abla continues to live and work in Egypt, contributing actively to the country’s cultural landscape.

View all works by Mohammad Abla

Watercolor

Pigment suspended in water and applied in translucent washes, valued for its luminosity, spontaneity, and light touch. A traditional medium well suited to landscape, architecture, and the shifting light of the region.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.