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Men Gathered at Train Carriage Door, 2022

Estimated price$2,100 – $3,900

Oil on Canvas

118 × 98 cm | 46.5 × 38.6 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A group of men in traditional Egyptian dress crowd the doorway of a numbered train carriage, their figures rendered with bold, loose brushwork and vivid colour. Paint drips trail down the canvas, blurring the boundary between scene and surface and lending the composition a raw, contemporary energy.

Mohamed ElTohamy (Egypt).

Oil on Canvas, 98 × 118 cm, 2022.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
118 × 98 cm | 46.5 × 38.6 in
Year
2022
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Green, Orange, Blue
Location
Amman, Jordan

About the artist

Mohamed Eltohamy — Mixed media on paper , 29 × 29 cm (representative image)
Mohamed ElTohamy

Egypt

Mohamed Eltohamy, born in 1938, was a prominent Egyptian artist renowned for his contributions to children's literature and illustration. After earning his bachelor's degree in painting from the Faculty of Fine Arts in 1962, he dedicated his career to enriching visual storytelling for young audiences. Eltohamy played a pivotal role in shaping the visual identity of esteemed publications such as "Samir" and "Mickey" magazines, leaving an indelible mark on Egyptian children's media. In 1976, he co-founded "Bassem" magazine, further cementing his influence in the field. His artistic endeavors extended to illustrating the "Stories of the Prophets" series for Dar Al-Ghad Al-Arabi, showcasing his versatility and commitment to cultural education. 

Eltohamy's excellence in illustration garnered international recognition. Notably, Walt Disney honored him in the 1960s for his precise renditions of Mickey Mouse, a testament to his technical skill and attention to detail. His work was also featured in significant exhibitions, including the inaugural Press Drawings Exhibition at the Palace of Arts in 1994 and the Children's Artistic Creations Festival in 1995. These platforms highlighted his contributions to visual arts and his dedication to engaging young minds through art. 

Eltohamy's legacy continues to be celebrated posthumously. In March 2024, the National Center for Children's Culture honored his artistic journey during the "Welcome Ramadan" nights at the Children's Cultural Park. This event underscored his enduring impact on Egyptian art and culture, reflecting the profound respect and admiration he commands within the artistic community. 

View all works by Mohamed ElTohamy

Oil

Pigment bound in oil, prized for its depth, luminosity, and slow drying that lets artists blend and build rich layers. The most enduring medium of modern painting, it remains central to the work of the region's leading modernists.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.