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Figures Reaching for Bowl of Oranges

Estimated price$987 – $1,833

Silkscreen And Lithograph On Paper

74 × 50 cm | 29.1 × 19.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A crowd of stylized faceless figures in vivid yellow and red reach urgently toward a large white bowl overflowing with oranges, their outstretched hands converging from every direction against a deep dark background. The bold graphic composition pulses with tension between abundance and desire.

Mark Kostabi (United States).

Silkscreen And Lithograph On Paper, 50 × 74 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
74 × 50 cm | 29.1 × 19.7 in
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Yellow, Red, Orange
Location
Amman, Jordan

About the artist

Mark Kostabi — Silkscreen And Lithograph On Paper, 50 × 74 cm (representative image)
Mark Kostabi

United States

Mark Kostabi, born Kalev Mark Kostabi on November 27, 1960, in Los Angeles, California, is an American artist and composer of Estonian descent. Raised in Whittier, California, he studied drawing and painting at California State University, Fullerton. In 1982, Kostabi moved to New York City, where he became a prominent figure in the East Village art scene by 1984. He is best known for his paintings featuring faceless figures, often commenting on contemporary political, social, and psychological issues, with stylistic influences from Giorgio de Chirico and Fernand Léger.

In 1988, Kostabi founded "Kostabi World," a large New York studio known for openly employing numerous painting assistants and idea contributors. His work has been widely exhibited internationally, including retrospectives at the Mitsukoshi Museum in Tokyo (1992) and the Art Museum of Estonia in Tallinn (1998). Kostabi's art is held in the permanent collections of major institutions such as the Museum of Modern Art, the Metropolitan Museum of Art, the Guggenheim Museum, and the National Gallery in Washington, D.C. He has also designed album covers for bands like Guns N' Roses ("Use Your Illusion") and The Ramones ("¡Adios Amigos!"), as well as various products including Swatch watches and Alessi vases.

Beyond visual arts, Kostabi is an accomplished composer, having performed with musicians like Ornette Coleman and Tony Levin. His compositions have been performed by the Estonian National Symphony Orchestra, and his discography includes albums such as "I Did It Steinway" and "Songs for Sumera." Since 1996, Kostabi has divided his time between New York and Rome, further enhancing his presence in the Italian art scene.

View all works by Mark Kostabi

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Pop Art

Art that draws on advertising, packaging, comics, and mass media, celebrating and critiquing popular culture in bold color. In the region, artists adapt its visual punch to local imagery and consumer life.