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Fallen Rider and Horse Figure, 1972

Estimated price$6,909 – $12,831

Lithograph

45 × 60 cm | 17.7 × 23.6 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A boldly abstracted equestrian scene unfolds across a deep red ground, with fragmented horse and rider forms rendered in sweeping blue, dark brown, and cream — capturing a sense of dynamic collapse and raw energy.

Marino Marini (Italy, 1901–1980).

Lithograph, 60 × 45 cm, 1972.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
45 × 60 cm | 17.7 × 23.6 in
Year
1972
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Red, Blue, Brown
Location
Amman, Jordan

About the artist

Marino Marini — Lithograph , 60 × 45 cm (representative image)
Marino Marini

Italy, b. 1901–1980

Marino Marini (1901–1980) was an Italian sculptor and painter renowned for his stylized equestrian statues and female nudes. Born in Pistoia, Italy, he studied painting and sculpture at the Accademia di Belle Arti in Florence, beginning in 1917. Although he initially focused on painting, Marini turned his attention primarily to sculpture around 1922, drawing inspiration from Etruscan art and the works of Arturo Martini. In 1929, he succeeded Martini as professor at the Scuola d’Arte di Villa Reale in Monza, a position he held until 1940. During this period, Marini traveled frequently to Paris, associating with artists such as Massimo Campigli, Giorgio de Chirico, and Alberto Magnelli.

Marini's oeuvre is characterized by recurring motifs, notably the horse and rider, which evolved from classical forms to more abstract and expressive representations, reflecting his response to contemporary events. His "Pomona" series, depicting female nudes symbolizing fertility, and his portrait busts further showcase his exploration of form and emotion. In 1944, Marini participated in the "Twentieth-Century Italian Art" exhibition at the Museum of Modern Art in New York. He was awarded the Grand Prize for Sculpture at the Venice Biennale in 1952 and the Feltrinelli Prize at the Accademia dei Lincei in Rome in 1954. Major retrospectives of his work were held at the Kunsthaus Zürich in 1962 and at the Palazzo Venezia in Rome in 1966. In 1973, a permanent installation of his work opened at the Galleria d’Arte Moderna in Milan. Marini's works are held in prominent collections worldwide, including the Peggy Guggenheim Collection in Venice and the Hirshhorn Museum and Sculpture Garden in Washington, D.C.

Marini's market presence is notable, with his sculptures achieving significant auction results. In 2010, his work "Cavaliere" was auctioned for a record price of $7.2 million. His legacy is preserved in dedicated institutions, such as the Museo Marino Marini in Florence, established in 1988, which houses a comprehensive collection of his works.

View all works by Marino Marini

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.