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Al Obaidi-2015-recsMoUlpaersKVpy
Nine Grid Panels with Abstract Symbols - shown to scale
Mahmoud Al Obaidi

Nine Grid Panels with Abstract Symbols, 2015

Estimated price$19,740 – $36,660

Oil on Canvas

135 × 135 cm | 53.1 × 53.1 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.
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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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Works leaving Jordan require an export clearance certificate, arranged on your behalf.

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About the work

Nine grid panels contain bold black abstract symbols and semi-figurative forms, each cell alive with expressive brushwork against muted earthy and dusty backgrounds. The composition carries a raw, archaeological energy, as if ancient glyphs have been reinterpreted through a modern abstract lens.

Mahmoud Al Obaidi (Iraq, 1966–present).

Oil on Canvas, 135 × 135 cm, 2015.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
135 × 135 cm | 53.1 × 53.1 in
Year
2015
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Brown, Grey, Yellow
Location
Amman, Jordan

About the artist

Mahmoud Al Obaidi — Oil on Canvas, 135 × 135 cm (representative image)
Mahmoud Al Obaidi

Iraq, b. 1966

Mahmoud Al Obaidi (محمود العبيدي), born in Baghdad, Iraq in 1966, is a prominent contemporary artist known for his multidisciplinary practice encompassing painting, sculpture, installation, and video. Al Obaidi’s work often explores themes of memory, displacement, and the socio-political upheavals that have shaped modern Iraq, drawing on personal experience and collective history. His style is characterized by a conceptual approach, frequently incorporating found objects and mixed media to evoke the complexities of identity and exile.

Al Obaidi has exhibited internationally at major institutions, including the British Museum in London, the Institut du Monde Arabe in Paris, and Mathaf: Arab Museum of Modern Art in Doha. His work was featured in the 56th Venice Biennale (2015) as part of the Iraqi Pavilion, underscoring his significance in the global art scene. He has also participated in exhibitions at the Saatchi Gallery and the Musée d’Art Moderne de la Ville de Paris, further cementing his reputation.

At auction, Mahmoud Al Obaidi’s works have appeared at leading houses such as Christie’s and Sotheby’s, with notable sales reflecting growing collector interest in contemporary Middle Eastern art. His pieces are held in several public and private collections, attesting to his impact and continued relevance in the international art market.

View all works by Mahmoud Al Obaidi

Oil

Pigment bound in oil, prized for its depth, luminosity, and slow drying that lets artists blend and build rich layers. The most enduring medium of modern painting, it remains central to the work of the region's leading modernists.
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Abstract Expressionism

A postwar movement built on spontaneous, gestural abstraction and broad fields of color, conveying feeling without recognizable subjects. Its freedom shaped many Arab modernists exploring abstraction in their own visual language.
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