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Red Oval in Geometric Blue Frame, 1973

Estimated price$6,909 – $12,831

Oil on Board

80 × 60 cm | 31.5 × 23.6 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A glowing red oval form floats at the centre of a dark recessed square, itself nested within cool blue geometric planes that contrast sharply against a bold red border. The composition blends architectural precision with surreal stillness, creating a hypnotic tension between depth and flatness.

Mahmoud AbdelAtti (Egypt, 1950–2005).

Oil on Board, 60 × 80 cm, 1973.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
80 × 60 cm | 31.5 × 23.6 in
Year
1973
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Red, Blue, Brown
Location
Amman, Jordan

About the artist

Mahmoud AbdelAtti — Oil on Board, 60 × 80 cm (representative image)
Mahmoud AbdelAtti

Egypt, b. 1950–2005

Mahmoud Abdel-Atti (1950–2005) was an Egyptian painter and educator known for his innovative use of light and color. Born on October 3, 1950, in Dakahlia, Egypt, he earned a Bachelor's degree in Arts and Education from the Higher Institute of Art Education in 1973, followed by a Master's in Art Education specializing in painting from Helwan University in 1981, and a Ph.D. in Art Education with a focus on painting from the same institution in 1987.

Abdel-Atti's artistic approach was distinguished by his exploration of light dynamics within his paintings. He skillfully integrated external light sources with the inherent luminosity of colors, creating a harmonious interplay that engaged viewers both visually and emotionally. His technique involved constructing geometric forms on the canvas, allowing light to interact with the surfaces and produce captivating visual effects. This method not only enhanced the aesthetic appeal of his works but also invited deeper contemplation of the relationship between form, color, and light.

Throughout his career, Abdel-Atti held various academic positions, including lecturer and assistant professor at the Faculty of Art Education, Helwan University. He also served as the general supervisor of the Information Bank at the National Center for Fine Arts from 1989 to 1991 and was the artistic supervisor for the Omani magazine "Nizwa" between 1995 and 1997. His contributions to the art community were recognized through numerous awards, such as the Second Prize for Ceramics at the Journalists' Exhibition in 1971 and the First Prize in the Egyptian Opera House competition in 1989. His works are part of several prestigious collections, including the Museum of Modern Art in Cairo, which houses 16 of his pieces, as well as collections in England, France, Germany, Greece, Jordan, and Kuwait.

View all works by Mahmoud AbdelAtti

Oil

Pigment bound in oil, prized for its depth, luminosity, and slow drying that lets artists blend and build rich layers. The most enduring medium of modern painting, it remains central to the work of the region's leading modernists.

Surrealism

Art of the dream and the unconscious, juxtaposing unexpected images to unsettle reason and reveal the irrational. Several Arab modernists embraced its imaginative freedom and symbolism.