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Still Life Fruit and Blue Bottle, 1959

Estimated price$28,000 – $52,000

Oil on Board

60 × 40 cm | 23.6 × 15.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A richly textured still life arranges pears, oranges, dark grapes, and a reclining blue bottle across a pale surface against a mottled warm-grey background. The thick, expressive brushwork and earthy palette give the composition a bold, tactile vitality.

Louay Kayyali (Syria, 1934–1978).

Oil on Board, 40 × 60 cm, 1959.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
60 × 40 cm | 23.6 × 15.7 in
Year
1959
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Brown, Blue, Orange
Location
Amman, Jordan

About the artist

Louay Kayyali — Oil on Board, 40 × 60 cm (representative image)
Louay Kayyali

Syria, b. 1934–1978

Louay Kayyali (1934–1978) was a prominent Syrian modern artist known for his poignant depictions of everyday life and the struggles of the underprivileged. Born in Aleppo, he began painting at the age of 11 and held his first solo exhibition at 18. In 1956, Kayyali received a scholarship to study at the Accademia di Belle Arti in Rome, where he met fellow Syrian artist Fateh Moudarres. Together, they represented Syria at the 1960 Venice Biennale. After graduating in 1961, Kayyali returned to Syria and taught at the Faculty of Fine Arts in Damascus.

Kayyali's work is characterized by a blend of realism and expressionism, often portraying merchants, landscapes, and still lifes that reflect the social issues of his time. He primarily worked with oil on wood and pencil on paper, employing a simplicity in color and form. In 1967, he held a significant exhibition titled "For the Sake of the Cause," featuring 30 charcoal drawings that highlighted human suffering and the Arab world's upheavals. The exhibition faced harsh criticism, leading Kayyali to destroy many of the works and withdraw from painting for a period.

Despite personal struggles, including bouts of depression, Kayyali continued to exhibit his art in cities such as Rome, Milan, Montreal, Damascus, and Beirut. His works have been acquired by esteemed institutions, including Mathaf: Arab Museum of Modern Art in Doha, the National Museums of Aleppo and Damascus, the Barjeel Art Foundation in Sharjah, and the British Museum. Posthumously, his paintings have achieved significant auction results, with "Then What??" selling for $900,000 at Sotheby's Riyadh in 2025.

View all works by Louay Kayyali

Oil

Pigment bound in oil, prized for its depth, luminosity, and slow drying that lets artists blend and build rich layers. The most enduring medium of modern painting, it remains central to the work of the region's leading modernists.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.