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Abstract Architectural Grid with Arches

Estimated price$987 – $1,833

Etching

50 × 65 cm | 19.7 × 25.6 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A densely layered etching presents a complex architectural grid of arched forms and vertical columns, rendered in muted greys and blacks with flashes of red and brown. The composition exudes a structured yet rhythmically textured quality, evoking ancient facades or industrial frameworks.

Krishna Reddy (India).

Etching, 65 × 50 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
50 × 65 cm | 19.7 × 25.6 in
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Grey, Black and White, Brown
Location
Amman, Jordan

About the artist

Krishna Reddy — Etching , 65 × 50 cm (representative image)
Krishna Reddy

India

Krishna Reddy (1925–2018) was an Indian master printmaker, sculptor, and educator renowned for his pioneering work in intaglio printmaking and the development of viscosity printing techniques. Born in Nandanoor, Andhra Pradesh, Reddy's artistic journey began at Visva-Bharati University's Kala Bhavana, where he studied under Nandalal Bose and Ramkinkar Baij. He further honed his skills at London's Slade School of Fine Art under Henry Moore and in Paris with Ossip Zadkine and Stanley William Hayter at Atelier 17, where he later became co-director.

Reddy's innovative printmaking techniques earned him international acclaim, leading to exhibitions at prestigious institutions such as The Metropolitan Museum of Art in New York, Tate Britain in London, and the Kiran Nadar Museum in New Delhi. Notable retrospectives include those at the Bronx Museum of the Arts in 1982 and the Palacio de Bellas Artes in Mexico City in 1988. His works are held in the permanent collections of major museums worldwide, reflecting his significant impact on modern printmaking.

Throughout his career, Reddy was dedicated to education, teaching at institutions such as New York University, where he directed the Printmaking Department from 1976. His contributions to art were recognized with numerous awards, including the Padma Shri by the Indian government in 1972. Reddy's legacy continues to inspire artists globally, with his works and teachings remaining influential in the realms of printmaking and sculpture.

View all works by Krishna Reddy

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Abstract Expressionism

A postwar movement built on spontaneous, gestural abstraction and broad fields of color, conveying feeling without recognizable subjects. Its freedom shaped many Arab modernists exploring abstraction in their own visual language.