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Bronze Bust of Young Girl with Braids

Estimated price$4,935 – $9,165

Bronze

21 × 18 × 11 cm | 8.3 × 7.1 × 4.3 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A finely cast bronze bust portrays a young girl with two braided plaits framing her face, her expression serene and quietly contemplative. The dark patina lends the piece a rich, timeless quality characteristic of classical figurative sculpture.

Kamel Ebeed (Egypt, 1918–2002).

Bronze, 18 × 21 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
21 × 18 × 11 cm | 8.3 × 7.1 × 4.3 in
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Brown, Grey
Location
Amman, Jordan

About the artist

Kamel Ebeed — Bronze, 14 × 12 cm (representative image)
Kamel Ebeed

Egypt, b. 1918–2002

Kamal Obaid (1918–2003) was a prominent Egyptian sculptor and ceramicist whose work significantly influenced modern Egyptian art. He was deeply inspired by the structural systems of living organisms, often depicting animals and birds in his sculptures. His portfolio includes numerous portraits and statues of notable figures, such as the late President Gamal Abdel Nasser, Crown Prince of Bahrain, and the esteemed writer Dr. Taha Hussein. Obaid's artistic approach was characterized by a profound understanding of form and a meticulous attention to detail, reflecting his passion for the natural world.

Beyond his artistic endeavors, Obaid played a pivotal role in art education. He began his teaching career in 1941 and later joined the Institute of Education for Teachers in 1947, eventually becoming a professor of sculpture and ceramics at the Faculty of Art Education, Helwan University, in 1966. His influence extended internationally; in 1974, he traveled to Saudi Arabia to establish the art education department at a university, and in 1985, he was commissioned by the Arab Organization for Education, Culture, and Science to develop art education curricula in Bahrain. Upon returning to Egypt, he contributed to the establishment of faculties of specific education, serving as a professor and head of the art education and sculpture division. In 1995, he was appointed as a non-resident professor of sculpture and ceramics at the Faculty of Art Education.

Obaid's legacy is marked by his dedication to both art creation and education. His works continue to be celebrated for their artistic merit and educational value, leaving an indelible mark on the Egyptian art scene.

View all works by Kamel Ebeed

Sculptures & Ceramics

Three-dimensional work in stone, bronze, wood, and clay — from carved and cast figures to glazed vessels and tilework. In this region, ceramics carry a deep heritage of Islamic craftsmanship.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.