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Fish Hanging on Hook Above Cracked Ground

Estimated price$2,100 – $3,900

Mixed Media on Board

80 × 80 cm | 31.5 × 31.5 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A textured fish carcass hangs suspended from a hook against a murky brown-grey void, while below it a cracked and eroded ground layer stretches across the canvas in deep rose and rust tones. The composition carries a brooding, symbolic weight, blending organic decay with expressive mark-making.

Jasem Alrassam (Iraq).

Mixed Media on Board, 80 × 80 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
80 × 80 cm | 31.5 × 31.5 in
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Brown, Grey, Pink
Location
Amman, Jordan

About the artist

Jasem Alrassam — Mixed media on board , 80 × 80 cm (representative image)
Jasem Alrassam

Iraq

Abdul Qadir Al Rassam (1882–1952) was a pioneering Iraqi painter, recognized as one of the first to introduce European-style realism to Iraq. Born in Baghdad during the Ottoman era, he pursued military studies at the Military College in Istanbul, where he received formal training in drawing and painting. This education laid the foundation for his artistic career, during which he became renowned for his realistic landscapes and portraits that vividly depicted the Iraqi environment and its people.

Al Rassam's work primarily focused on landscapes, capturing scenes along the Tigris and Euphrates rivers with meticulous attention to detail and shading to convey different times of day and atmospheric conditions. His paintings, predominantly oil on canvas, are celebrated for their realistic portrayal of Iraq's natural beauty. While many of his works are held in private collections, a selection was displayed at The Pioneers Museum in Baghdad, though several pieces were looted in 2003. Notably, he was the first modern Iraqi artist to create a public mural, adorning the entrance of Cinema Royal in Baghdad.

Beyond his artistic contributions, Al Rassam played a significant role in nurturing Iraq's art scene. He was a founding member of the Art Friends Society (Jami’yat Asdiqa’ al-Fen) and offered painting lessons in his studio, mentoring many who would become prominent figures in Iraqi art. His efforts were instrumental in introducing local audiences to European art styles and inspiring subsequent generations of Iraqi artists.

View all works by Jasem Alrassam

Mixed media

Works combining two or more materials — paint, collage, found objects, text, sand — in a single piece. The approach lets artists layer meaning and material, and is widely used in modern and contemporary MENA art.

Surrealism

Art of the dream and the unconscious, juxtaposing unexpected images to unsettle reason and reveal the irrational. Several Arab modernists embraced its imaginative freedom and symbolism.