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Iraiqat-1988-reczn00sre27sz1Kr
Two Figures Seated at a Table - shown to scale
Jalal Iraiqat

Two Figures Seated at a Table, 1988

Estimated price$987 – $1,833

Oil on Canvas

66 × 51 cm | 26.0 × 20.1 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.
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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

Duties & taxes are excluded from the price. International buyers are responsible for any customs fees on arrival. Full export documentation provided.

Works leaving Jordan require an export clearance certificate, arranged on your behalf.

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About the work

Two loosely rendered figures sit across from each other at a small table, their forms emerging from a swirling expressionist background of cool blues, purples, and creamy yellows. The gestural brushwork and atmospheric depth lend the scene a quiet, contemplative intimacy.

Jalal Iraiqat (Jordan).

Oil on Canvas, 51 × 66 cm, 1988.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
66 × 51 cm | 26.0 × 20.1 in
Year
1988
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Blue, Yellow, Purple
Location
Amman, Jordan

About the artist

Jalal Iraiqat — Pastel on Paper , 38 × 50 cm (representative image)
Jalal Iraiqat

Jordan

Jalal Iraiqat is a contemporary artist from Jordan, recognized for his innovative approach to visual arts and design. His practice spans a range of mediums, including painting, digital art, and mixed media installations, often exploring themes of identity, heritage, and the intersection of tradition with modernity. Iraiqat’s work is noted for its vibrant use of color and dynamic compositions, reflecting both his Jordanian roots and a broader engagement with Middle Eastern cultural narratives.

Iraiqat has exhibited his works in several reputable institutions across the region. Notably, his art has been featured at the Jordan National Gallery of Fine Arts, a leading venue for contemporary art in Amman, where he has participated in both solo and group exhibitions. His contributions have also been recognized in regional art fairs and biennials, further establishing his presence within the Middle Eastern art scene. While there is no public record of his works being sold at major international auction houses such as Christie’s, Sotheby’s, or Bonhams to date, Iraiqat’s growing exhibition history and institutional recognition underscore his significance as a contemporary Jordanian artist. As of now, detailed information regarding his birth date remains unavailable.

View all works by Jalal Iraiqat

Oil

Pigment bound in oil, prized for its depth, luminosity, and slow drying that lets artists blend and build rich layers. The most enduring medium of modern painting, it remains central to the work of the region's leading modernists.
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Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.
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