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Figure Bending to Tie Shoe

Estimated price$1,974 – $3,666

Zink on Paper

20 × 13 cm | 7.9 × 5.1 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A stooped figure bends low to fasten a shoe, rendered in bold ink washes and delicate etched lines against a spare white ground. In the background, faint sketched figures and architecture suggest an outdoor scene, lending the composition an intimate, candid quality.

Jacques Villon (France, 1875–1963).

Zink on Paper, 13 × 20 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
20 × 13 cm | 7.9 × 5.1 in
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Impressionism & Post-Impressionism
Colours
Black and White, Grey
Location
Amman, Jordan

About the artist

Jacques Villon — Zink on Paper , 12 × 23 cm (representative image)
Jacques Villon

France, b. 1875–1963

Jacques Villon, born Gaston Émile Duchamp on July 31, 1875, in Damville, Normandy, France, was a pivotal figure in the development of modern art. To distinguish himself from his renowned siblings—Marcel Duchamp, Raymond Duchamp-Villon, and Suzanne Duchamp—he adopted the pseudonym Jacques Villon, paying homage to the medieval poet François Villon. Initially studying law at the University of Paris, Villon's passion for art led him to contribute illustrations and cartoons to Parisian newspapers, including "Le Courrier français." In 1906, he relocated to Puteaux, a suburb of Paris, where he immersed himself in painting and printmaking, drawing inspiration from Edgar Degas and Henri de Toulouse-Lautrec.

Villon was instrumental in the Cubist movement, co-founding the Section d'Or group in 1912 alongside artists like Francis Picabia and Fernand Léger. This collective emphasized geometric proportions in art, reflecting their interest in mathematical harmony. His participation in the 1913 Armory Show in New York significantly bolstered his international reputation, introducing European modernism to American audiences. Throughout his career, Villon received numerous accolades, including the Carnegie Prize in 1950 and the Grand Prix at the Venice Biennale in 1956. In 1955, he was commissioned to design stained-glass windows for the Metz Cathedral in France.

Villon's artistic legacy is marked by his innovative approach to Cubism, particularly in printmaking, where he developed a unique graphic language distinct from contemporaries like Pablo Picasso and Georges Braque. His works are housed in major institutions worldwide, including the Museum of Modern Art in New York and the Art Institute of Chicago. In the art market, his painting "L'Acrobate" (1913) achieved a notable milestone, selling for $1,296,000 at Sotheby's in May 2004. Jacques Villon passed away on June 9, 1963, in Puteaux, leaving behind a profound impact on modern art.

View all works by Jacques Villon

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.