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Group of Draped Figures on Earth, 2018

Estimated price$6,909 – $12,831

Acrylic On Canvas

100 × 120 cm | 39.4 × 47.2 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

Three abstracted, draped figures huddle closely together on a mounded earth-like form, their rounded heads and flowing contours blending seamlessly into the warm ochre and grey landscape beneath them. The sculptural, interlocking forms convey a quiet sense of community and stillness, rendered in a rich palette of earthy browns, muted greens, and sandy yellows.

Izz AlDin Najib (Egypt).

Acrylic On Canvas, 120 × 100 cm, 2018.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
100 × 120 cm | 39.4 × 47.2 in
Year
2018
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Brown, Yellow, Grey
Location
Amman, Jordan

About the artist

Izz AlDin Najib — Acrylic On Canvas, 120 × 120 cm (representative image)
Izz AlDin Najib

Egypt

Izz al-Din Najib (1940–2023) was an Egyptian painter, art critic, and writer whose work spanned over six decades. Born on April 30, 1940, in Sharqia Governorate, Egypt, he earned a Bachelor of Fine Arts in 1962 and a postgraduate diploma in painting in 1975. Najib's artistic practice encompassed painting, art criticism, and literature, reflecting a deep engagement with Egypt's cultural heritage and contemporary issues.

Throughout his career, Najib held numerous solo exhibitions and participated in group shows both domestically and internationally, including in Iraq, Tunisia, the UAE, Kuwait, France, Germany, Yugoslavia, Italy, Russia, Greece, Cyprus, Hungary, and Bulgaria. His works are part of prestigious collections, with the Museum of Modern Art in Cairo acquiring 30 of his paintings from various periods, and the Arab Museum of Modern Art in Qatar holding four of his pieces. In addition to his visual art, Najib authored several literary works, including short story collections such as "Aish wa Malh" (1960) and "Ayyam al-Izz" (1962), as well as novels like "Al-Musafir Khana" (1999).

Najib's contributions to the art world were recognized with numerous awards, including the State Appreciation Award in Arts in 2014. He also played a significant role in cultural administration, serving as the director of various cultural centers and founding the General Administration of Traditional and Plastic Arts Centers at the Ministry of Culture. His dedication to art and culture left a lasting impact on Egypt's artistic landscape.

View all works by Izz AlDin Najib

Acrylic

A fast-drying, water-based paint developed in the twentieth century. Versatile and vivid, it can mimic oil or watercolor and suits bold, flat color — a favourite of many contemporary artists across the region.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.