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Palestinian Woman in White Veil, 1967

Estimated price$98,700 – $183,300

Oil on Canvas

70 × 50 cm | 27.6 × 19.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A stylized portrait of a Palestinian woman draped in a flowing white veil gazes forward with quiet intensity, her dark-rimmed eyes set against a warm golden sky and an open green landscape. The composition evokes a sense of cultural dignity and melancholy rooted in a deep sense of place and identity.

Ismail Shamout (Palestine, 1930–2006).

Oil on Canvas, 50 × 70 cm, 1967.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
70 × 50 cm | 27.6 × 19.7 in
Year
1967
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Yellow, Green, Red
Location
Amman, Jordan

About the artist

Ismail Shamout — Oil on Canvas, 50 × 70 cm (representative image)
Ismail Shamout

Palestine, b. 1930–2006

Ismail Shammout (إسماعيل شموط, also transliterated as Ismail Shamout) was a seminal Palestinian artist born in 1930 in Lydda (now Lod), Palestine, and passed away in 2006. Renowned for his evocative paintings and graphic works, Shammout’s oeuvre is deeply intertwined with the Palestinian experience, particularly themes of exile, memory, and national identity. His early life was marked by the 1948 Nakba, which profoundly influenced his artistic vision. Working primarily in painting and drawing, Shammout developed a figurative style characterized by vibrant colors and expressive compositions, often depicting scenes of Palestinian daily life, struggle, and resilience.

Shammout’s work has been exhibited in major institutions across the Arab world and internationally, including the Institut du Monde Arabe in Paris and the Jordan National Gallery of Fine Arts. He played a pivotal role in the establishment of the Palestinian art movement and served as the Director of Arts and National Culture for the Palestine Liberation Organization. His paintings have been featured in significant group and solo exhibitions, highlighting his status as a leading figure in modern Arab art.

At auction, Ismail Shammout’s works have appeared at major houses such as Christie’s and Bonhams, achieving notable results that reflect his enduring legacy and the growing recognition of Palestinian modernism. His art remains highly sought after by collectors and institutions, underscoring his importance as both an artist and a chronicler of Palestinian history.

View all works by Ismail Shamout

Oil

Pigment bound in oil, prized for its depth, luminosity, and slow drying that lets artists blend and build rich layers. The most enduring medium of modern painting, it remains central to the work of the region's leading modernists.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.