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Figure Among Dark Abstract Fragments, 2015

Estimated price$987 – $1,833

Acrylic On Canvas

79 × 100 cm | 31.1 × 39.4 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A solitary figure emerges from a fragmented grid of dark, energetic brushwork, its face softly illuminated amid swirling layers of brown, blue, and black. The composition radiates a brooding intensity, with gestural marks and scattered colour accents evoking a sense of chaos and quiet introspection.

Hussein Nashwan (Jordan, 1958–present).

Acrylic On Canvas, 100 × 79 cm, 2015.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
79 × 100 cm | 31.1 × 39.4 in
Year
2015
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Black and White, Brown, Blue
Location
Amman, Jordan

About the artist

Hussein Nashwan — Acrylic On Canvas, 157 × 75 cm (representative image)
Hussein Nashwan

Jordan, b. 1958

Hussein Nashwan, born on November 24, 1958, in Ain Sultan, Jericho, is a Jordanian visual artist, writer, and critic. He earned a bachelor's degree in physical education from the University of Baghdad in 1981, followed by a high diploma in 1986 and a master's degree in education from the University of Jordan in 1996. Nashwan has held over fifteen solo exhibitions in Jordan and participated in various Arab and international group exhibitions, including in Iraq, the UAE, Morocco, Bahrain, and Thailand. His artistic work often explores the relationship between humans and their environments, as seen in his exhibitions "Place and Human" at Yarmouk University and "Cities," which featured 25 paintings focusing on urban architecture and cityscapes.

In addition to his visual art, Nashwan has made significant contributions to literature and journalism. He served as the head of the cultural department at the daily newspaper "Al-Rai" from 2006 until his retirement and was appointed editor-in-chief of the Ministry of Culture's "Funun" magazine in 2020. His literary works include the poetry collection "An'a Kay Arak" (2005) and the novel "Hawd Malih" (2010). He has also authored several critical studies, such as "Third Eye: Intersections of Arts and Genres in the Works of Ibrahim Nasrallah" (2007) and "The Faces: The Body of the Universe – A Reading in the Artistic Experience of Said Haddadin" (2008).

Nashwan has been an active member of the Jordanian Writers Association, serving on its administrative board in 2011, and the Jordanian Plastic Artists Association, where he held administrative positions for two terms and served as president. His multifaceted career reflects a deep engagement with both the visual and literary arts, contributing significantly to Jordan's cultural landscape.

View all works by Hussein Nashwan

Acrylic

A fast-drying, water-based paint developed in the twentieth century. Versatile and vivid, it can mimic oil or watercolor and suits bold, flat color — a favourite of many contemporary artists across the region.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.