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Multiple Abstract Reclining Figure Studies

Estimated price$2,961 – $5,499

Lithograph In Colors On Th Saunders Paper British

28 × 44 cm | 11.0 × 17.3 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A signed limited-edition lithograph presenting multiple organic, biomorphic reclining figures arranged across a richly textured grey-brown ground, each form suggesting the human body in an abstracted, sculptural language characteristic of Moore's iconic style.

Henry Moore (United Kingdom, 1898–1986).

Lithograph In Colors On Th Saunders Paper British, 44 × 28 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. Signed and editioned Xv Xv.

Medium
Size
28 × 44 cm | 11.0 × 17.3 in
Edition
Xv Xv
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Black and White, Brown, Grey
Location
Amman, Jordan

About the artist

Henry Moore — Lithograph In Colors On Arches Paper, 55 × 70 cm (representative image)
Henry Moore

United Kingdom, b. 1898–1986

Henry Moore (1898–1986) was a renowned British sculptor and artist, celebrated for his monumental semi-abstract sculptures that are recognized worldwide. Born in Castleford, Yorkshire, Moore’s work is characterized by organic forms, often inspired by the human figure and natural landscapes. He primarily worked in bronze and stone, but also produced significant drawings, prints, and textiles. Moore’s distinctive style, marked by undulating curves and pierced forms, has had a profound influence on modern sculpture.

Moore’s sculptures have been exhibited in major institutions globally, including the Tate Gallery in London, the Museum of Modern Art in New York, and the Art Institute of Chicago. His work has been the subject of numerous retrospectives, notably at the Tate and the Yorkshire Sculpture Park, which houses a significant collection of his pieces. Moore’s public commissions are installed in prominent locations across Europe, North America, and beyond, cementing his international reputation.

At auction, Henry Moore’s works have consistently achieved high prices at leading houses such as Christie’s and Sotheby’s. Notable sales include his bronze sculptures, which have fetched several million pounds, reflecting his enduring significance in the art market. Moore’s legacy as a pioneer of modern sculpture remains influential, and his works continue to be highly sought after by collectors and institutions worldwide.

View all works by Henry Moore

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Abstract Expressionism

A postwar movement built on spontaneous, gestural abstraction and broad fields of color, conveying feeling without recognizable subjects. Its freedom shaped many Arab modernists exploring abstraction in their own visual language.