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Woman Face with Moon and Symbols, 1997

Estimated price$987 – $1,833

Acrylic on Paper

30 × 40 cm | 11.8 × 15.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

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About the work

A stylized female face in profile dominates the composition, her features divided between a dark geometric mask and a cool blue expanse bearing a crescent moon, surrounded by swirling curly hair and vivid decorative accents. The bold brushwork and striking colour contrasts give the piece an intense, expressive energy.

Hassan Mousa (Iraq).

Acrylic on Paper, 40 × 30 cm, 1997.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
30 × 40 cm | 11.8 × 15.7 in
Year
1997
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Blue, Grey, Red
Location
Amman, Jordan

About the artist

Hassan Mousa — Oil on Canvas, 73 × 80 cm (representative image)
Hassan Mousa

Iraq

Hassan Musa, born in 1951 in El Nuhud, Sudan, is a contemporary artist renowned for his innovative fusion of European painting techniques, Arabic calligraphy, and Chinese watercolor traditions. His large-scale works often incorporate printed textiles as canvases, reinterpreting classical Western artworks to comment on global political and cultural themes. Musa's art challenges and reimagines iconic figures such as Osama bin Laden, Che Guevara, Vincent van Gogh, and Josephine Baker, reflecting his perspective on the pervasive influence of imagery in society. He articulates this by stating, "Images are like blows: we receive them, we give them back. We transmit violent things because that is the way we receive them. It's a way to survive; my images are my line of defense."

Musa earned a master's degree from the College of Fine and Applied Art at the Sudan University of Science and Technology in 1976 and a doctorate in Fine Art and Art History from the University of Montpellier, France, in 1979. His work has been showcased in numerous prestigious exhibitions worldwide, including the 47th Venice Biennale in 1997, the Whitechapel Art Gallery in London in 1995, and the Sharjah International Biennial in 1993. His pieces are held in esteemed collections such as the Ramzi and Saeda Dalloul Art Foundation in Beirut, the Hood Museum of Art in the United States, and the Museum der Weltkulturen in Frankfurt.

In addition to his visual art, Musa has contributed to children's literature by illustrating 22 books published in France. He has also conducted workshops since 1992, teaching various forms of calligraphy and drawing to both children and adults. Currently residing in Domessargues, France, Musa continues to create art that bridges cultural divides and provokes thoughtful discourse.

View all works by Hassan Mousa

Acrylic

A fast-drying, water-based paint developed in the twentieth century. Versatile and vivid, it can mimic oil or watercolor and suits bold, flat color — a favourite of many contemporary artists across the region.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.