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Three Abstract Figures on Stakes, 1953

Estimated price$2,800 – $5,200

Lithograph

60 × 45 cm | 23.6 × 17.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

Three enigmatic totemic figures loom against a dark, densely textured background, their skeletal and organic forms rendered in stark black and white with expressive, scratchy linework evoking an unsettling, otherworldly atmosphere.

Graham Sutherland (United Kingdom, 1903–1980).

Lithograph, 45 × 60 cm, 1953.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
60 × 45 cm | 23.6 × 17.7 in
Year
1953
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Black and White
Location
Amman, Jordan

About the artist

Graham Sutherland — Lithograph , 45 × 60 cm (representative image)
Graham Sutherland

United Kingdom, b. 1903–1980

Graham Sutherland (1903–1980) was a prominent British artist renowned for his distinctive contributions to modern painting, printmaking, and design. Initially trained as a printmaker at Goldsmiths’ College in London, Sutherland’s early work focused on etching before he transitioned to painting in the 1930s. His mature style is characterized by surreal, often haunting landscapes and organic forms, drawing inspiration from the Pembrokeshire countryside in Wales. Sutherland’s palette and forms reflect a fascination with nature’s transformative power, and his work often explores themes of regeneration and decay. He also produced notable portraits, including the controversial depiction of Winston Churchill, and was commissioned for significant religious works such as the tapestry for Coventry Cathedral.

Sutherland’s art has been widely exhibited in major institutions, including retrospectives at the Tate Gallery, London, and representation in the collections of the Museum of Modern Art, New York, and the National Gallery, London. His works have achieved significant recognition at leading auction houses; Christie’s and Sotheby’s have featured his paintings and works on paper, with several pieces fetching six-figure sums, underscoring his enduring market appeal. Sutherland’s legacy is firmly established within 20th-century British art, both for his innovative visual language and his influence on subsequent generations of artists.

View all works by Graham Sutherland

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Surrealism

Art of the dream and the unconscious, juxtaposing unexpected images to unsettle reason and reveal the irrational. Several Arab modernists embraced its imaginative freedom and symbolism.