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Two Figures Holding Olive Branch with Dove, 2008

Estimated price$987 – $1,833

Graphic, Print Making

64 × 50 cm | 25.2 × 19.7 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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Works leaving Jordan require an export clearance certificate, arranged on your behalf.

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About the work

Two solemn figures in traditional Arab dress stand side by side, jointly holding an olive branch while a white dove soars above a stylized village skyline beneath a crescent moon. The work is rendered in bold black and white with expressive hatched lines, evoking themes of peace, heritage, and shared identity.

Ghazi Inaim (Jordan, 1960–present).

Graphic, Print Making, 50 × 64 cm, 2008.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
64 × 50 cm | 25.2 × 19.7 in
Year
2008
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Black and White, Brown
Location
Amman, Jordan

About the artist

Ghazi Inaim — Graphic, Print Making , 50 × 64 cm (representative image)
Ghazi Inaim

Jordan, b. 1960

Ghazi Inaim (غازي انعيم), born in 1960 in Jordan, is a prominent contemporary artist recognized for his significant contributions to the Jordanian and Arab art scenes. Working primarily in painting, Inaim’s oeuvre is characterized by expressive compositions that often reflect cultural and social themes relevant to the region. His style blends elements of abstraction and figuration, utilizing vibrant color palettes and dynamic forms to convey emotion and narrative.

Inaim has exhibited widely in Jordan and across the Middle East, with notable institutional exhibitions at the Jordan National Gallery of Fine Arts and participation in regional biennials and group shows. His works have also been featured in international exhibitions, helping to raise the profile of Jordanian art on the global stage. Inaim is an active member of the Jordanian Plastic Artists Association, further cementing his role in the development of contemporary art in his home country.

While Ghazi Inaim’s works are well-regarded in institutional and gallery contexts, there is limited evidence of his paintings appearing at major international auction houses such as Christie’s, Sotheby’s, or Bonhams. Nonetheless, his reputation within the Middle Eastern art community remains strong, and his paintings are sought after by collectors interested in modern and contemporary Arab art.

View all works by Ghazi Inaim

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.