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Abstract Circle Red and Black Print, 2005

Estimated price$987 – $1,833

Graphic, Print Making

42 × 39 cm | 16.5 × 15.4 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A bold circular composition of torn and layered abstract forms in deep black and vivid red dominates a stark white ground, with accents of blue and green adding unexpected flashes of energy. The fragmented, collage-like arrangement radiates outward from a luminous centre, creating a powerful sense of tension and dynamism.

Ghassan Ghaib (Iraq, 1964–present).

Graphic, Print Making, 39 × 42 cm, 2005.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. Signed and editioned 17 / 20.

Medium
Size
42 × 39 cm | 16.5 × 15.4 in
Year
2005
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Red, Black and White, Green
Location
Amman, Jordan

About the artist

Ghassan Ghaib — Acrylic On Canvas, 60 × 80 cm (representative image)
Ghassan Ghaib

Iraq, b. 1964

Ghassan Ghaib, born in Baghdad in 1964, is an Iraqi-American artist renowned for his evocative works that delve into themes of displacement, loss, and memory. He earned his diploma from the Institute of Fine Arts in 1986 and a bachelor's degree from the Academy of Fine Arts in 1997, both in Baghdad. Ghaib's artistic journey began with clay sculptures in his family's garden, eventually transitioning to painting and mixed media. His experiences during the Iran-Iraq War, the Gulf War, and the 2003 U.S. invasion profoundly influenced his art, leading him to seek refuge in Amman, Jordan, before relocating to Los Angeles.

Ghaib's work has been showcased in numerous solo exhibitions, including "Butterfly Wing" at Orfali Gallery in Amman (2019) and "Banned from Paradise" at Karim Gallery in Amman (2010). His participation in group exhibitions is extensive, featuring in "Theater of Operations: The Gulf Wars 1991–2011" at MoMA PS1 in New York (2019) and "Word into Art: Artists of the Modern Middle East" at the British Museum in London (2006). His art is held in prestigious collections such as the British Museum, the Jordanian National Museum, and Mathaf: Arab Museum of Modern Art in Qatar.

Throughout his career, Ghaib has received several accolades, including the 6th Al Wasiti Award in 1987, the 3rd Award at the Contemporary Iraqi Art Festival in 1996, and the Creativity Award in Baghdad in 2000. His works, often characterized by their exploration of the human condition amidst conflict, continue to resonate with audiences worldwide.

View all works by Ghassan Ghaib

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Abstract Expressionism

A postwar movement built on spontaneous, gestural abstraction and broad fields of color, conveying feeling without recognizable subjects. Its freedom shaped many Arab modernists exploring abstraction in their own visual language.