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Dark Landscape with Red Orb, 1966

Estimated price$84,000 – $156,000

Oil on Canvas

70 × 100 cm | 27.6 × 39.4 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

Sweeping dark forms loom over a pale, open ground in this powerfully gestural composition, where a single vivid red orb anchors the eye amid swirling blacks and greens. The raw, energetic brushwork creates a brooding, almost turbulent atmosphere charged with emotional intensity.

Gazbia Serry (Egypt, 1925–2021).

Oil on Canvas, 100 × 70 cm, 1966.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
70 × 100 cm | 27.6 × 39.4 in
Year
1966
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Black and White, Green, Red
Location
Amman, Jordan

About the artist

Gazbia Serry — Oil on Canvas, 150 × 100 cm (representative image)
Gazbia Serry

Egypt, b. 1925–2021

Gazbia Sirry (1925–2021) was a prominent Egyptian painter whose dynamic career spanned over six decades. Born in Cairo, she graduated from the Higher Institute of Art Education for Women Teachers in 1950 and pursued further studies in Paris, Rome, and London. Sirry's early works are noted for their vibrant depictions of strong female figures from various social classes, reflecting her engagement with themes of nationalism and women's roles in society. Her style evolved over time, transitioning from representational art to abstract expressionism, particularly after her exposure to the American art scene during a fellowship at the Huntington Hartford Foundation in California in 1965.

Throughout her career, Sirry held over 50 solo exhibitions worldwide, including at the Museum of Egyptian Modern Art in Cairo and the National Museum of Women in the Arts in Washington, D.C. She represented Egypt in international biennales, such as those in Venice and São Paulo, and her works are part of prestigious collections, including the Metropolitan Museum of Art in New York. Sirry received numerous accolades, including the State Prize and Order of Sciences and Arts of the First Degree in 1970. Her paintings often addressed social and political themes, capturing the complexities of Egyptian identity and the evolving roles of women.

Sirry's contributions to modern Egyptian art are significant, with her works housed in institutions like the Museum of Modern Egyptian Art in Cairo and the Alexandria Modern Art Museum. She continued to create and exhibit art into her later years, remaining an influential figure in the art world until her passing in 2021.

View all works by Gazbia Serry

Oil

Pigment bound in oil, prized for its depth, luminosity, and slow drying that lets artists blend and build rich layers. The most enduring medium of modern painting, it remains central to the work of the region's leading modernists.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.