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Colorful Birds Flying Over Crashing Waves

Estimated price$987 – $1,833

Woodcut on paper

63 × 48 cm | 24.8 × 18.9 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

Bold black-and-white crashing waves fill the composition, animated by a flock of vividly coloured birds in red, blue, yellow, and green soaring freely across the turbulent sea. The stark graphic contrast of the woodcut technique gives the scene a striking, almost rhythmic energy.

Fumio Kitaoka (Japan, 1918–2007).

Woodcut on paper, 48 × 63 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
63 × 48 cm | 24.8 × 18.9 in
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Black and White, Red, Green
Location
Amman, Jordan

About the artist

Fumio Kitaoka — woodcut on paper , 48 × 63 cm (representative image)
Fumio Kitaoka

Japan, b. 1918–2007

Fumio Kitaoka (1918–2007) was a distinguished Japanese printmaker renowned for his innovative woodblock prints that seamlessly blended traditional Japanese techniques with Western artistic influences. Born in Tokyo, he initially studied oil painting under Fujishima Takeji at the Tokyo School of Fine Arts, graduating in 1941. During his studies, he also trained in woodblock printing with Hiratsuka Un'ichi, a leading figure in the sōsaku-hanga (creative print) movement. Kitaoka's early works often depicted social realist themes, notably his 1947 series "Journey to the Homeland," which chronicled his challenging repatriation from Manchuria after World War II.

In 1955, Kitaoka traveled to Paris to study wood engraving at the École des Beaux-Arts, where he was influenced by Western artists such as Van Gogh, Cézanne, Matisse, and Picasso. This period marked a significant evolution in his style, as he began incorporating Western concepts like perspective and abstraction into his prints. Upon returning to Japan in 1957, he established himself as a contemporary master of the woodblock, known for his use of perspective and receding space combined with bold, sculptural effects achieved through high-pressure printing techniques.

Kitaoka's works have been exhibited internationally, including at the Museum of Modern Art in New York, the Museum of Fine Arts in Boston, and The Art Institute of Chicago. He also held teaching positions at the Minneapolis School of Art and the Pratt Graphic Arts Center in New York during the mid-1960s. His prints are held in numerous prestigious collections worldwide, reflecting his significant impact on the art world.

View all works by Fumio Kitaoka

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Minimalism

Art stripped to essentials — simple forms, clean lines, restrained color, and repetition. It removes the personal gesture to focus on pure shape, space, and material.