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Nude Figure Reclining on Round Bed, 1980

Estimated price$17,500 – $32,500

Lithograph

101 × 65 cm | 39.8 × 25.6 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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About the work

A contorted nude figure lies across a circular blue platform set against a vivid orange background, with scattered newspaper fragments beneath and a dark grey rectangle framing the scene. The distorted, fleshy form and charged atmosphere are instantly recognisable hallmarks of Bacon's unsettling figurative style.

Francis Bacon (United Kingdom, 1909–1992).

Lithograph, 65.9 × 101.5 cm, 1980.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
101 × 65 cm | 39.8 × 25.6 in
Year
1980
Rarity
Limited Edition
Certificate of authenticity
Included
Genre
Colours
Orange, Blue, Brown
Location
Amman, Jordan

About the artist

Francis Bacon — Lithograph , 65.9 × 101.5 cm (representative image)
Francis Bacon

United Kingdom, b. 1909–1992

Francis Bacon (1909–1992) was a British painter renowned for his raw, emotionally charged imagery and innovative approach to figurative art. Born in Dublin to British parents, Bacon spent much of his life in London, where he developed a distinctive style characterized by distorted figures, bold brushwork, and a somber palette. His work often explored themes of existential angst, mortality, and the human condition, drawing inspiration from sources as varied as classical art, photography, and his own tumultuous personal life. Bacon primarily worked in oil on canvas, producing some of the most iconic images of post-war art, including his celebrated series of "Screaming Popes" and triptychs.

Bacon's paintings have been the subject of major institutional exhibitions worldwide, including retrospectives at the Tate Gallery (now Tate Britain) in London, the Grand Palais in Paris, and the Metropolitan Museum of Art in New York. His work is held in the collections of leading museums such as the Museum of Modern Art (MoMA) and the Centre Pompidou. At auction, Bacon's paintings have achieved record-breaking results at major houses like Sotheby’s and Christie’s. Notably, his "Three Studies of Lucian Freud" sold for over $142 million at Christie’s in 2013, making it one of the most expensive artworks ever sold at auction. Bacon remains a pivotal figure in 20th-century art, celebrated for his uncompromising vision and profound impact on contemporary painting.

View all works by Francis Bacon

Printmaking

Images made by transferring ink from a prepared surface — etching, lithography, screenprint, woodcut — usually in limited editions. Iraqi artists such as Rafa Nasiri helped make printmaking a serious modern art form across the Arab world.

Expressionism

Art that prioritizes emotion and inner experience over realistic depiction, using distortion, bold color, and energetic mark-making. In the region it gave modern artists a language for memory, displacement, and identity.