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Carved Stone Female Head Sculpture

Estimated price$4,900 – $9,100

Stone

60 × 18 × 15 cm | 23.6 × 7.1 × 5.9 in

Certificate of Authenticity

A Certificate of Authenticity (COA) is a signed document verifying that this artwork is the genuine work of the named artist. For pieces from the Hindiyeh Collection, the COA is signed by the collection. For gallery- or artist-direct pieces, it is issued by the gallery or by the artist's authorized estate.

The COA includes the artist's name, the title, year, medium, and dimensions of the work, and is delivered with the artwork at the time of dispatch.

Rarity classifications

Unique
A one-of-a-kind work. No other version of this piece exists.

Limited edition
The artist or their estate produced a known, finite number of copies. The edition size is shown in the work's details.

Open edition
The edition run is ongoing. New works may still be produced in the same series, which may be numbered or made to order.

Unknown edition
The edition has ended, but the number originally produced is no longer documented.


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Shipping & taxes

Ships from Amman, Jordan. Hand-packed in a custom crate or rigid art-tube depending on medium and size.

Delivery (after handling): 5–10 business days within MENA, 10–18 to Europe and North America, 14–25 elsewhere. Larger or framed works ship via fine-art freight; timing confirmed by email after purchase.

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Works leaving Jordan require an export clearance certificate, arranged on your behalf.

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About the work

A serene female face with flowing wavy hair and a delicate headband is carved from rough-textured stone, rising on a rectangular pillar above a dark tiered base. The sculpture evokes classical antiquity through its calm, elongated features and restrained, contemplative expression.

Fouad Abou Assaf (Syria, 1966–present).

Stone, 18 × 60 cm.

Part of the permanent collection of the Hindiyeh Museum of Arts, Jordan. One of a kind.

Medium
Size
60 × 18 × 15 cm | 23.6 × 7.1 × 5.9 in
Rarity
Unique
Certificate of authenticity
Included
Genre
Colours
Brown, Grey, Black and White
Location
Amman, Jordan

About the artist

Fouad Abou Assaf — Stone, 18 × 60 cm (representative image)
Fouad Abou Assaf

Syria, b. 1966

Fouad Abu Assaf (1966–2021) was a prominent Syrian sculptor renowned for his mastery in transforming the resilient basalt stone into expressive artworks. Born in the village of Slem in the As-Suwayda Governorate, he graduated from the Faculty of Fine Arts at Damascus University in 1991. Abu Assaf's sculptures often depicted themes rooted in Syrian heritage and mythology, seamlessly blending traditional motifs with contemporary artistic expressions. His notable works include "The Last Supper," "The Syrian Sisyphus," and "The Syrian Woman," the latter adorning a public square in As-Suwayda.

Throughout his career, Abu Assaf participated in numerous local and international sculpture symposia, earning accolades such as the first prize in sculpture at the Al-Mazraa Festival in 2002. His works have been acquired by collectors and institutions worldwide, including in Denmark, Belgium, Portugal, Germany, France, Australia, and the United States. In 2010, he contributed to the creation of "The Strongest Rock," the largest basalt sculpture at that time, unveiled in Tishreen Square in As-Suwayda. In 2022, the Syrian Ministry of Culture honored his legacy with a retrospective exhibition at the Arab Cultural Center in Damascus, showcasing 12 basalt sculptures, a wooden piece, and several previously unseen artistic studies.

Abu Assaf's dedication to his craft extended beyond his personal creations; he served as a professor in the sculpture department at the Institute of Applied and Fine Arts and the Faculty of Fine Arts, mentoring a new generation of Syrian artists. His profound connection to basalt, a material emblematic of his native region, allowed him to convey intricate narratives and emotions, solidifying his status as a pivotal figure in contemporary Syrian sculpture.

View all works by Fouad Abou Assaf

Sculptures & Ceramics

Three-dimensional work in stone, bronze, wood, and clay — from carved and cast figures to glazed vessels and tilework. In this region, ceramics carry a deep heritage of Islamic craftsmanship.

Minimalism

Art stripped to essentials — simple forms, clean lines, restrained color, and repetition. It removes the personal gesture to focus on pure shape, space, and material.